There are some compelling arguments here but alot of it seems to be presented in the wrong light. Many of these explanations seem a bit far fetched too. Its a good watch though as it does lead me to believe that alot of the information we've been given has in fact been falsified. There are too...
Eastwood did one for You Ain't Ready. Not even that, I think if u were to take away beat patterns then producers could become far more creative. Basslines and melodies might become richer etc.
I'm surprised this never caught on in the dubstep circuit. I'd say wiley was pushing the envelop with all that. So why have they disappeared? Is music just not the same w/o drum patterns?
Yeh big tune but I couldn't really say it had much to do with what was happening in croydon at the time. Its pretty safe to say that Karl Brown was completely removed from the spectrum of ghost , horespower, tempa releases IMO.
Ok so should I be talking about sunship? I don't have much interest in newschool UKG so I haven't felt a need to talk about say... the progression of 4X4 tunes like alabama blues to qualifide's latest release. Up until about '04 4x4 was really happening for me then all the top 40 Dn'D style...
There's nothing wrong with listening to Dn'B. I still make it out to some shows and support our local nights but my main problem is with the point your making. There's too much dominance from these staple genres and not enough progression into other sounds or the acceptance of other sounds.
What ever happened to this dude?
I've been running through alot of my older bass driven garage tunes and realized how fucking sick this guy was. One of my favourite records from him was this dubby little opus 3 rmx.
Is it just me it do Dn'B heads come across as having low attention spans sometimes? I mean I constantly encounter people who can't listen to anything lower than 172 bpm. Even then you might find some breaks listeners in the lot but you'll never catch them gravitating towards music that has space...
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