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So I'm moving house, and I pick up the DVD for 'lost in translation' and notice that Kevin Shields 're-emerged' for that film, and the track he wrote for the film reminded me of 'Isn't Anything' peroid MBV more than anything..ANYWAY, so what this thread is really about IS. What exactly happened...

Just because: 1. His films have the olblique 'Wire' and 'Simon Reynolds' reading post MM, post everything 'modernist' urban soundtrack to full effect. 2. The politics are all neo-radical hard-left post-Lacanian body-without organs Passolini'ist post-queer post...

http://www.theage.com.au/news/Music/Werk-in-progress/2005/06/16/1118869038761.html

'giallo' movies. The next untapped 'cannon' for pomo trendies to re-imagine contextually subtextually. Brian DePalma, we hardly knew you. 'Women's weepies' with sex and blood. Soundtracks to die for. Better and more 'modern' than Hitchcock! (Oi!) you know you love them, and if you don't...

I know it's verboten amongst most, but I do. curious to know if anyone else does it and what they are using. 10-4 :D

'..sure the Ramones sung the pleasures of it, but anyone else? :confused:

The most mysterious genius on the mod-rock landscape IMHO. Who is he? I understand he played percussion with indie-popper 'the Associates' - correct? Did he 'invent' the filtered/ heroin house sound or was it Juan Atkins? The Rhythm and Sound stuff kickstarted the reggae/dub revival me tinks...

Why do intellectuals love Wong so much and champion his work so much? OK, he's a 'visionary' but so is Leigh Whannel and James Wan who made 'saw' for that matter ( a film which represented to me, the most cynical, post-modern ripoff in recent memory)... I've seen three of his films 'Fallen...