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was he close to deaf and carrying one or more ECM records? if so, then you're onto something here

double cup is a great collection of tracks. a lot of healthy restraint going on, tasteful use of breaks, rashad really is an omnivore.

wow, this is on some obscure kodwo tip. can't say i enjoyed reading it. when it comes to wire writers and footwork, i really admire rory gibb. he gets all poetic and shit, but is always spot on. writing for others to understand, not to exhibit himself

yeah, this is really nice. it reminded me of burial too, machinedrum really does this well. gunshotta is one of my favourites from the album

agreed. but this rehashing has been a fair constant even within footwork itself (repeating, sampling, imitating phrases made by/dug out by your predecessors). and it's not seen as a bad thing

well, this traxman album on lit city is nothing short of amazing. a lot of the MPC soul distillation some of you guys don't like, but with a soft ethereal feel that none of the other teklife guys can touch, really

rashad & spinn live: http://new.livestream.com/TheTrailerTVuk/events/2347383 it was nice, but nothing special, mostly heard and rinsed teklife material (as usual). the only foreign bit i heard was kode9s. there was also this ghost-in-the-machine tune i can't get out my head... somewhere near...

maybe what is said about euro-juke might be in connection with how footwork is presented in europe. most of the nights i went to are based around what is called bass music, now - and that can be trap, footwork, baile funk, dubstep, d&b, whatever - but it's mostly this concoction of internet edm...

haha, that's one hilarious gif :) but seriously, tim, i don't think i really need to explain that quote as it's fairly obvious. metalheadz just isn't what it used to be anymore, and d&b has become one hell of a boring genre. the new om unit is very nice, though. but i kind of regret he's gone...

what i find funny with these producers claiming footwork doesn't function on the dance floor is that they're not really doing the real thing, aren't they? it's preposterous to claim that all those rather desperate footwork hybrids pumped from outside of the scene offer the same as a raw, full...

dorothy's forest really reminds me of fis's dmt usher... which is an excellent place to be as far as jackin is concerned imo :)

yeah, forgot to say, great mix man, listening right now

tim, have u considered going down to 160 bpm? some of this stuff is just too fast, and it loses its groove imho... it would make sense going down, though, with all this footwork thing going on

hey carmen, i was thinking something in the vein of fracture's get busy rashad's set on the last hyperdub show is a clear indication of what i'm talking about - if you compare his 2011 set to this one, you'll clearly see a striking difference also, what shiels said. rashad's been tweaking his...

lol nice one

could you guys give some examples of tunes that are 'mindblowing' in your opinion?

and seriously, fuck drake

that kevin gates flow reminds of everything i wanted aesop rock to be

earl released an ep on movel not long ago, not really feeling it though. matter fact, i don't remember when a movel release has ever made a real impression on me. on the other side, rashad and manny got some serious heat coming out in the next months on lit city; i'm very curious about their...

ah, i see. thanks!