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thanks for listening. The track is... Jesse Somfay - Fricative White glad you singled it out. unbelievably beautiful, really amazing track.

oblio - in every entrance there is an exit waiting to get out (mixtape) http://www.sendspace.com/file/2dv8p5 Pheek - Perc Neige Steevio - Chocolate Music Shackleton - Blood On My Hands (Villalobos remix) Alex Under - Multiplicanciones A1 Mark August -Sylvia Saint Matt John - Golden Wedding...

thankyou kindly, glad you enjoyed it. there's a reversion of a panda bear track from young prayer on my myspace page that you may also enjoy: www.myspace.com/burtronkram cheers, mark.

http://www.sendspace.com/file/ntzcrf

I wouldn't say this is true at all. In dubstep I think there is a massive focus on the physical side of production. I can't vouch for every single producer, but it's obvious that a big number work very hard themselves and with Jason at Transition to master the art of the science of sound. In...

54 minutes, early morning techno etc musics. http://www.sendspace.com/file/qstxti rhythm & sound - see mi version (basic reshape) rhythm & sound - let we go (villalobos remix) villalobos - ichso mark august - warm alex under - par alex under - multiplicanciones d1 panda bear - bros jesse...

link - http://www.sendspace.com/file/vtzd2e time - 65 minutes robag wruhme - robags bobb für f. alex under - multiplicanciones b1 alex smoke - titti the klf - what time is love love at? (ricardo villalobos veto retro remix 1) mark henning - pokerbot aphex twin - windowlicker (run jeremy's...

no problem at all, thanks very much for listening, glad you enjoyed it. There's a couple of other mixes that I recorded around the same time that you may like as well. They all draw from a similar pool of tracks and sounds, but I like to think each mix has it's own flavour. There's links to...

link: http://www.sendspace.com/file/tzmzb0 length: 62m 17s tim xavier - ride the matterhorn aphex twin - windowlicker (run jeremy's x rated lick) petter - all together alex under - el diluvio azul gaiser - and answer mark august - warm alex under - multiplicanciones d1 villalobos - ichso the...

link: http://www.sendspace.com/file/svuird length: 1h16m16s berg nixon - new york minute depeche mode - the sinner in me (villalobos remix) nathan fake - the sky was pink (holden remix) berg nixon - abstraction wighnomy bros - bobb butane - the sound of digi down (someone else remix) troy...

link: http://www.sendspace.com/file/t4e32w length: 99 min tracks: villalobos - dexter [playhouse] petter - alltogether [border community] seth troxler - satisfy [beretta gray] villalobos - ichso [cadenza] heartthrob - time for ensor [minus] rhythm & sound - dem never know (sleeparchive remix)...

To me, what defines a bad cover is all in the intentions. i.e. if the person really feels (or even really hates) the original, and decides to reinterpret it in their own style in order to create something new from it, it doesn't matter how subjectively bad one can perceive it to be, you gotta...

yeah you're right to a certain extent, but there is a lot to be said for people who can put aside these kind of considerations and enjoy music in the spur of the moment regardless. To be honest, personally I'm more often than not the guy whose standing there being pissed off about how the music...

meh, not as cliched as the bitter guy standing in the middle of the dancefloor being all like 'this sound is totally cliched' whilst everyone else is jumping around and having fun regardless.

these sounds will never die. the reason they became 'passe' was because they had a period of overuse, where, after several forward thinking people found certain ways to exploit them to brilliant effect, many people jumped on the bandwagon and proceeded to rinse them to death. But the reason...

My point was that essentially there is nothing musically and rhythmically that different between techno and dubstep. Both use a lot of polyrhythms that are grounded in a 4/4 beat, both use a lot of space and atmoshere etc. etc. Thus I believe that the reasons for them remaining seperate is out...

this is my point upthread. the 'swing' that is present in any music comes from interplay between different rhythms. The main (maybe even only) difference, rhythmically speaking, between minimal techno and dubstep is the general beat foundation, which stems from the need to make records that djs...

so basically what I'm saying is that, yes, they are very comparable, the main difference being the consistent tempo and 'typical' beat patterns that go with the need to make dj friendly music.

I would say that the 'swing' in most minimal techno is all down to clever polyrhythmic sequencing. i.e. that it is based on the mathematically precise 'swing' that comes from letting multiple time signatures work against each other, which are generally tied down by a consistant 4 to the floor...

This is an interesting topic, and I feel compelled to add my 2 cents. I think the discussion regarding the political implications of and the personal motivations behind both the original and the remix is totally warranted given their backgrounds and the material in question. I don't agree that...