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there are a handful of incredibly successful djs and producers making huge amounts of money creaming off the top but by and large a tune with 500,000 hits on UKF in a week will be forgotten a couple of weeks later. they don't earn a huge amount for their bookings and the records don't sell the...

lol come on dude

people sharing sample packs and presets? i like the bb pin on the youtube videos, like the new mobile numbers on press releases

yeah it was a much longer conversation than the piece makes out for sure

the thing about ids and context was a response to a question asking whether or not we were horrible enough to consider ourselves 'teachers' you've interviewed me before, you know i just spent hours turning things over in my head without saying anything definite - i don't know how ali managed...

that lr groove tune is so good, so odd. love that hollow bassline sound and that drifting vocal

it wouldn't work with most tuff jam tunes as most of them have very little in common with that blawan tune, but i played history of house music next to getting me down in a rave the other day. people nodded their heads and danced respectfully to tuff jam, and went crazy to getting me down...

not sure about oneman but yeah im just pitching it down a couple of notches and playing with 140 stuff

its 145 or thereabouts

i cant think of a single example to back this up. who are you talking about?

his tunes go down well when you play them at the right time. spaces out a dance. i think they're amazing

yeah that kind of angle feels pretty dated and weird now though. reynolds is quite good on this kind of earnestness but re hynagogic stuff rather than all this - http://www.villagevoice.com/2011-01-19/music/leave-chillwave-alone/

ah cool, so with traktor can you lock the pitch anywhere along the pitch control? serato just has a master tempo function, locked at zero i do still like the sound of people beatmatching though, the slight imperfections

yeah i cant deal with that either. i put tunes in a crate beforehand and stick to it, unless there's a particular tune i think would work in the moment having records helps too though, cos you're restricted vibe wise a bit. if you want to play the records you've brought with you what you play...

on SL3 it's the same output and same mixer input, you switch to and from real vinyl in the software i cut a couple of dubs for a vinyl night the other day, first time in ages. it did feel good. they sounded great as well. but i ripped them straight away. master tempo gets rid of the sickly...

serato for unreleased stuff, yep

that dude sounds rad i still play vinyl though (so do a few other rinse djs to answer the above q, but not many)

there are differences in approach and scene divisions, of course. but they aren't fixed - there are points of convergence and interesting overlaps. your way of looking at things can't account for champion and terror danjah playing joe tunes, or ossie releasing on lightworks, or funkystepz on...

he's gone dudes, quit the rock throwing

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