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yeah but man, fuck yahoo mail. they charge 25 quid a year to download your own fucking email, gmail do it for free. plus that annoying ad sidebar (and i don't hate all ads per se, just when they ruin the user experience). on a small monitor that is a really big UI problem. but worse than that...

the whole thing about having multiple processes instead of threads is the same architecture that is used with modern operating systems to prevent the whole OS going down when an app crashes, but it does mean a substantially larger footprint to chrome as a whole. re. the user agreement, we are...

lol

that was far from the only story i heard, yep some bad behaviour going on with certain quarters (and notably a bunch of mates i will refer to only as the ghb krew - i think you'll know exactly who i mean). was looking out my room window 6am sat morning watching some bizarre shit going on outside.

likewise! i didn't know you were going, i knew ben was planning it. i thought i saw someone who looked a bit like his facebook profile and said "are you ben?". he said "no, i've got a friend called ben though" (like several million other people). had a long random chat, but not any closer to a...

did anyone go to this? absolutely wicked little festival which managed to avoid the horrors of the big commercial operations (exploitative, oppressive security / police presence, shit music, hideous vibe, you know da koo). i know ben ufo was going, but i didn't manage to find you mate...

lets be honest though, roni size had a lot of promise, but nu forms was utter shit. later full cycle output was ropey at best. but nothing to do with bristol, just the general direction of the scene (up its own arse) really.

theres something about that amen snare sound which is like total aural crack. totally makes your head buzz, the spiky repetition of it.

got to try to drag myself away from youtube soon lol. haven't heard this one before but its dark as you like tribal london tekno and so is this. loved the trend for sweeping orchestral b-movie samples. but this is probably their best known:

noise factory truly released some bizarre records, didn't they? head mashing avant garde weirdness, straight from some council estate teenagers bedroom.

to all the rude bwoys... and the bad bwoys too:

absolutely fucking mental and so is this, possibly one of the most deranged of his records:

favourite tunes from my favourite label

i bring you the future, still unequalled and my personal favourite from this crew:

oh mate, we could be here all year with this seriously.

i prefer this version:

not having been to these events, does anyone rave to this music on e? i know the bassline crowd do it, but funky is a bit more alien to me. i don't want to hear that old chestnutt about black people not doing ecstasy cos it just ain't true in my experience, of south london at least.

somewhat hysterical polz. like no-ones advocating censoring him are they ffs? of course he can write what he wants, but the same goes for the critic's critics. especially if they have more first-hand knowledge of the scene from going to actual events. this is dance music we are talking about...

well, i thought he was right on the money as regards the hardcore chapters. i don't know enough about detroit to comment on how accurate that was. although i accept he kind of leaves out scenes hes not that interested in. i remember 94 for being an explosive year for uk techno clubbing for...