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and this is how they end up thinking Drake made something new

but then again @shakahislop i have to ask you do your mates even understand patwa cause all even now i've come across people one or two of them who live in Britian who say that they have no idea what people are saying and its a funny thing where you see people enjoying a tune because of the...

alt? Raekwon wasn't alt what you saying?

any of the Parker books Burnt Orange Heresy

i mean i was showing 3 friends of mine Chi Chi man by TOK explaining the lyrics and like even despite their surprise and objections they thought the tune was great Frenzy by Sanchez is a tune i've heard at family get togethers and he's singing how "we nuh wan no chi chi man bow yah"

well if that's the case don't bother going back to the 90s/2000s stuff that still tends to be the most popular but you're gonna run into alot of songs that you can't play around your mates and its all that upfront. @shakahislop i'm not saying its right and the music has gotten away from that...

had a listen to the new EST Gee/42 Dugg & billy woods/ preservation albums, two very different rap albums but i like them but i probably prefer the latter more so I feel like i should like 42 Dugg more than i do but just on some of the Atlanta trap sounding stuff he comes off like just like...

that and it never feels like there's any short route to get anywhere

i mean it's also the case here doing exhibitions for certain important figures who should've had this treatment long ago but only done now because of the british BLM response

its funny to me how the Proud Boys are the one legacy that Gavin McInnes and by that extention VICE have on the world at large

god youtube essays especailly the fact that they seem to be so long aswell the video game essay videos are very guilty of this also with the Oscars @version do you remember the weeping and gnashing from DiCaprio fans who were wondering when he was gonna get one? shit considering the talk...

side note: what the fuck is up with the pavements in Brum, why are there so many peaks and dips?

ting was live i dunno what you lot was chatting bout to third but i had a FIRE time there, started off kinda cool but then from the second Surgeon came on and threw on Preacher man that's when it went to 100 fuckin hell Kickdrums sounding like depth charges out there and Paul Damage is a nut...

that's the thing they won't, none of these people ever leave or just gently fade away because there's always a new oppertunity for them to get their ideas out there and profit off of it (and this is what created a culture where people who were effectily terrible at their jobs get rewarded) tech...

and the thing is lads like him aswell there's always ALWAYS a point where they overstep the mark and say some shit that they know they have no right to, like how i remember way back in the drill convo he was accusing Headie One of minstrelsy he apologised for it but fact is he still said it

also as a black person no not really because its one of quite a few variants of white guy who appreciates black music/culture that's actually quite common i suppose the difference with him is that the black music his focus is on is very current rather than of the past and a specific period of...

cat you REALLY need to find some other examples cause going back to dean blunt all the time really doesn't look good hell i'd love to know if there are any Indian/south asian musicians you can think of who mainly white people listen to cause it's just as prevalent there

no because the second you say this they'll accuse you of being the mad one

yeah i've seen that and Jeanne Dielmann, i'd like to watch more of her work its like a breeze blowing through an empty house

Weerasethakul, Tsai Ming-Liang,Edward Yang,Pedro Costa,Kelly Reichardt,Lav Diaz are some of the notable names i suppose Bergman,Tarkovsy,Ozu,Dreyer and that lot are progeniters of slow cinema