I remember Nina Power telling me she was trying to learn Set Theory in order to understand him.
Looking back, that seems like a waste of time.
that doesnt sound half bad but something about his public persona rankles. as if he's trying intentionally at that 70s style intellectual celebrity baudrillard had. the mononymous BIFO
Was Nina 'Infinite Thought' on here or was that someone else?
This Heroes book's great, tbh. Bit reductive, as any narrative will be, but compelling. There's no translator credited, so I assume he wrote it in English himself. Reads pretty smoothly considering it isn't his first language.
He starts off discussing various mass shooters - Aurora 2012, Virginia Tech, Columbine - then tries to unpick the societal currents that can lead to that particular flavour of violence. It's all the kind of thing we've already discussed on here - high finance, atomisation, triumph of the virtual - but it's nicely stitched together.
One thing I like's the way he simplifies then combines Baudrillard and D&G. He uses Baudrillard's thing of the breakdown of referentiality - signs being exchanged for signs rather than real things - and D&G's deterritorialization/reterritorialization - social relations being destroyed and reconstituted - to sketch out a trajectory of abstraction that's being responded to by people attempting to reclaim their identity through things like racism and nationalism. A more developed, contemporary take on what McLuhan's saying in this interview:
Couple of other factors he highlights are 'semiocapitalism' - this is what he calls the current version as he says it's predominantly based around signs, information, and attention now - being at a stage where people think of themselves as winners and losers rather than classes, and that increasingly the young are socialised via machines, that's where they learn a lot of their vocabulary, and it changes the relationship to language, to emotion, etc. when you're doing the equivalent of playing tennis against a wall rather than a partner, especially that early in life. The combination of the two can lead to a certain kind of psychopathy seen in people like the Columbine shooters who were bullied, considered themselves 'losers', retreated into a virtual world of video games, then decided to try to "win" in some sense by lashing out in the warped way that they did.
The outlier so far's Anders Breivik who has a similar profile, but whose crimes were more calculated and ideologically motivated. He uses that as a jumping off point to describe Europe going through the same process of abstraction as the EU pursues the usual agenda of profits over everything and that leading to breakdowns in Greece, etc. and the rise of right wing parties across the continent as people fall back into the old petty tribes and nationalisms.
There's more going on than that, but that's a rough, somewhat disjointed, outline of his argument.
This Heroes book's great, tbh. Bit reductive, as any narrative will be, but compelling. There's no translator credited, so I assume he wrote it in English himself. Reads pretty smoothly considering it isn't his first language.
He starts off discussing various mass shooters - Aurora 2012, Virginia Tech, Columbine - then tries to unpick the societal currents that can lead to that particular flavour of violence. It's all the kind of thing we've already discussed on here - high finance, atomisation, triumph of the virtual - but it's nicely stitched together.
One thing I like's the way he simplifies then combines Baudrillard and D&G. He uses Baudrillard's thing of the breakdown of referentiality - signs being exchanged for signs rather than real things - and D&G's deterritorialization/reterritorialization - social relations being destroyed and reconstituted - to sketch out a trajectory of abstraction that's being responded to by people attempting to reclaim their identity through things like racism and nationalism. A more developed, contemporary take on what McLuhan's saying in this interview:
Couple of other factors he highlights are 'semiocapitalism' - this is what he calls the current version as he says it's predominantly based around signs, information, and attention now - being at a stage where people think of themselves as winners and losers rather than classes, and that increasingly the young are socialised via machines, that's where they learn a lot of their vocabulary, and it changes the relationship to language, to emotion, etc. when you're doing the equivalent of playing tennis against a wall rather than a partner, especially that early in life. The combination of the two can lead to a certain kind of psychopathy seen in people like the Columbine shooters who were bullied, considered themselves 'losers', retreated into a virtual world of video games, then decided to try to "win" in some sense by lashing out in the warped way that they did.
The outlier so far's Anders Breivik who has a similar profile, but whose crimes were more calculated and ideologically motivated. He uses that as a jumping off point to describe Europe going through the same process of abstraction as the EU pursues the usual agenda of profits over everything and that leading to breakdowns in Greece, etc. and the rise of right wing parties across the continent as people fall back into the old petty tribes and nationalisms.
There's more going on than that, but that's a rough, somewhat disjointed, outline of his argument.
I do not believe that Musk has the historical function of promoting chaos, unless he does so in an apparent way. His political activity, starting with the purchase of Twitter, is aimed at destroying the State and the public structures built during the modern era. In this sense, Musk's project coincides with that of Steve Bannon and the Trump administration in general
The liberal devastation of the social system is the origin of Trumpist racist nationalism, but also its North Star. The declared intention of the most aggressive Nazi-liberals, such as Javier Milei, or Steve Bannon and Elon Musk, is the definitive demolition of public structures (health, education, transport, etc.) that made social survival possible. This naturally implies social extermination, which is already underway and which we will see accelerate terrifyingly in the coming years. But the social extermination taking place within Western countries is only one part of the global genocide, which is taking place on the border between the north and the south of the world and which has the genocide of the Palestinians as its bloody symbol.
The era we have entered after October 7, 2023 is the era of global genocide, and this era is naturally characterized by the multiplication of points of chaotic precipitation. It is clear that the global reactionary movement of which Musk is an expression is causing chaotic ruptures in an ever-increasing number of points on the planet. But this is only one step in the process unleashed during the last decades, which consists both in the proliferation of chaos and in the creation of a higher order, which is the order of the automaton . The global reactionary movement is today dedicated to the devastation of the human world, which is the world of indeterminacy, approximation, analogy and conjugation. But beyond the chaotic action of the reactionary movement lies a goal of deterministic, digital and connective order: the cognitive automaton is destined to take the place of living chaos. Musk, if you will, is an agent of political chaos, but political chaos has the function of making possible in two logically successive but chronologically contemporaneous movements, the elimination of the human: genocide of the marginal and mutation of the collective mind for its submission to the automaton, thus proceeding to the establishment of the automatic order .
In some programming languages, which borrow a concept from the neo-positivist philosopher Rudolf Carnap, we speak of a “ functor ” as a variable dependent on a mathematical sequence. Beyond the computational metaphor, the functor is an agent that is perfectly compatible and synchronized with the global cognitive automaton. In the first decades of the 21st century, the automaton has formatted and synchronized the individual minds of individuals belonging to the first connective generation. Humans have tended to be subjugated to the digital order, being progressively deprived of the characteristics and drives that are incompatible with the automaton, such as erotic desire, critical capacity and expressive singularity. This mutation cannot occur without enormous suffering, dysphoria and depressive or aggressive psychopathies. But a part of the human race cannot be formatted and synchronized and thus remains outside the production process and the privileged territory. The unformatted- unsynchronized – which a science-fiction writer whose name I will not mention called daisies – will be progressively exterminated with the instruments of war, hunger, submission to rhythms of slave labor impossible for the human organism and other techniques of extermination. This process is the horizon of the 21st century and we already see it clearly outlined in the political lines of Trumpism and the techno-totalitarian action of which Elon Musk is the axis.
A race of functionally superior and emotionally sterilized white males is seizing the levers of technical, economic and military power. No political force can oppose this takeover for the simple reason that it is not a political process, but a techno-cognitive mutation. Cognitive mutation and genocide are the two decisive processes of this transition. Cognitive mutation is carried out by subjecting the human mind to a formatting that aims to synchronize the activity of the mind with the rhythm of the automaton. Inevitably, this process of mutation entails suffering.
Let us consider pathologies such as ADHD, or attention deficit hyperactivity disorder: it is not a pathology, but an attempt to adapt and synchronize the mind to the ten-thousand-fold accelerated pace of the infosphere. Ethical awareness and erotic sensitivity are remnants of pre-formatted humanity, which are rapidly disappearing in the emerging connective generation. Another emerging characteristic of mutants is the inability to perceive the pain of others, which is an effect of uninterrupted exposure to streams of simulated nervous stimulation, according to which the mind no longer tends to distinguish simulations from living organisms, tending instead to consider suffering bodies as the little green men in the video game, who do not suffer and if they die can always get up again an instant later.
This is the horizon of the 21st century, this is the trend that is unfolding unstoppably. Climate collapse, geopolitical collapse and social collapse provide the ideal environment for this process of mutation, formatting and elimination of the residues of the daisies . But there is also the highly probable possibility that the interweaving of these three collapses will produce the definitive extinction of the human race. In this case everything human would finally be annihilated, which would allow the perfect ideal of the Muskian order to be realized: the unlimited reproduction of the automaton in a territory finally purged of all chaotic and unpredictable elements. That said, we (the defectors) know that the unpredictable has not yet been erased. But what cannot be spoken about is better left silent.
who's this then?The unformatted- unsynchronized – which a science-fiction writer whose name I will not mention called daisies
this is weird line - why will he not name Philip K. Dick?
it's a good question, is it from philip k. dick? i can't see william kent's reply. it wouldn't really make sense as he is directly quoting him in his book heroes.
Some Desychronised Daisies
bifo also is a bit of a Dickit's a good question, is it from philip k. dick? i can't see william kent's reply. it wouldn't really make sense as he is directly quoting him in his book heroes.
The science fiction writer who refers to people as "daisies" is Philip K. Dick. In his novel Do Androids Dream of Electric Sheep? (1968), he uses the term to describe human beings in a rather bleak and existential context. In the story, the concept of empathy and human emotions is a central theme, and the term "daisies" is used to evoke a sense of fragility and superficiality in the way humans are perceived by both humans and androids alike. Dick’s works often explore complex questions about identity, humanity, and reality, and in this case, the "daisy" metaphor serves to underscore the dehumanization of individuals in a dystopian future.
bifo also is a bit of a Dick
CATHERINE BUTLER, author of _Four British Fantasists: Place and CultureI deleted my post because I was mistaken! I couldn't find any evidence to back up my claim. Also, there is no mention of daisies in "Do Androids Dream of Electric Sheep", I've just done a search on the text and it comes up blank. The AI is lying to you.
Apologies for the earlier inaccuracies. Upon further research, I couldn't find a direct reference in The Sirens of Titan by Kurt Vonnegut that describes people as daisies. However, the novel does feature a character named Salo who, while waiting on Titan, engages in activities such as growing daisies and observing Earth's inhabitants.The idea of people as daisies, or a similar metaphor, appears in The Sirens of Titan (1959) by Kurt Vonnegut. In the novel, Vonnegut introduces a concept where people on Earth serve a broader purpose that they don't fully understand, much like daisies might exist without knowledge of their role in an ecosystem. This fits with Vonnegut's themes of existentialism, interconnectedness, and the seeming absurdity of life.
If you're referring to a different work or author, let me know, and I can refine the search!
total rubbish from the aiApologies for the earlier inaccuracies. Upon further research, I couldn't find a direct reference in The Sirens of Titan by Kurt Vonnegut that describes people as daisies. However, the novel does feature a character named Salo who, while waiting on Titan, engages in activities such as growing daisies and observing Earth's inhabitants.
LitCharts
Additionally, there's a short story titled "Daisy, in the Sun" by Connie Willis, which might be relevant to your inquiry.
Goodreads
If you can provide more context or details about the specific story or author you're thinking of, I'd be happy to help further.