version

Well-known member
Khang_Le_3.jpg

Khang_Le_4.jpg
 

dilbert1

Well-known member
Annihilation was pretty good, strange in a ‘now’ way (cinematographically, soundtrack and acting-wise) but also laudably so. It bracketed a lot out to focus on the themes it wanted to raise which is respectable and the final sequence where there’s a climax of otherworldly revelation that doesn’t resolve anything but makes things even more mysterious was compelling. Funny resemblance to The Thing where the solution to eliminate the intruders is the brute elemental force of fire but there remains the cliffhanger of our hero being compromised by the experience.
 

sus

Moderator
Fuck knows, maybe it's just a bright light? But now I've said it, wouldn't a film where you go underwater and find a sun be really cool. I always used to love "journey to the centre of the earth" when I was a kid
Yeah "hollow earth" is another interesting theme in these kinds of romances, a la Jules Verne. I think it comes up in the new Kong x Godzilla films yeah?
 

sus

Moderator
The same way that, in the Disney Star Wars sequels, there are ruins of Star Destroyers in the sand all Ozymandias.

These little metatextual nods to the quasihauntology of undead IP'dom
 

version

Well-known member
Annihilation was pretty good, strange in a ‘now’ way (cinematographically, soundtrack and acting-wise) but also laudably so. It bracketed a lot out to focus on the themes it wanted to raise which is respectable and the final sequence where there’s a climax of otherworldly revelation that doesn’t resolve anything but makes things even more mysterious was compelling. Funny resemblance to The Thing where the solution to eliminate the intruders is the brute elemental force of fire but there remains the cliffhanger of our hero being compromised by the experience.

The major difference between The Thing and Annihilation is the latter's ambivalent about whatever the alien's doing. The emphasis is on change rather than destruction.
 

sus

Moderator
the acid blood and so on. idk i guess there's some good ideas in there isn't there
I like the acid blood concept because it's vaguely like karma or bloodfeuds/revenge cycles or the idea that hate is a disease

That there is "splashback" from committing violence; in injuring the thing, you also harm yourself, there is a splashzone of collateral damage and often you're in it
 

version

Well-known member
I like the acid blood concept because it's vaguely like karma or bloodfeuds/revenge cycles or the idea that hate is a disease

That there is "splashback" from committing violence; in injuring the thing, you also harm yourself, there is a splashzone of collateral damage and often you're in it

Also part of the idea that every part of its body's a weapon, even its lifeforce is corrosive to other lifeforms. It can still kill you even if you kill it.
 
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sus

Moderator
Annihilation was pretty good, strange in a ‘now’ way (cinematographically, soundtrack and acting-wise) but also laudably so. It bracketed a lot out to focus on the themes it wanted to raise which is respectable and the final sequence where there’s a climax of otherworldly revelation that doesn’t resolve anything but makes things even more mysterious was compelling. Funny resemblance to The Thing where the solution to eliminate the intruders is the brute elemental force of fire but there remains the cliffhanger of our hero being compromised by the experience.
Annihilation always struck me a feminist remake of Tarkovsky's Stalker, like the way they made an all girls cast of Ghostbusters? They talk about their trauma, their breast cancer, their husbands, very Girls Trip but scifi
 
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