Yeah "hollow earth" is another interesting theme in these kinds of romances, a la Jules Verne. I think it comes up in the new Kong x Godzilla films yeah?Fuck knows, maybe it's just a bright light? But now I've said it, wouldn't a film where you go underwater and find a sun be really cool. I always used to love "journey to the centre of the earth" when I was a kid
Notice that's exactly what the zoomers in Romulus do. Find an old ship from the early films, patch her up, get her to fly.they are scraping whatever they can get out of these old things.
Annihilation was pretty good, strange in a ‘now’ way (cinematographically, soundtrack and acting-wise) but also laudably so. It bracketed a lot out to focus on the themes it wanted to raise which is respectable and the final sequence where there’s a climax of otherworldly revelation that doesn’t resolve anything but makes things even more mysterious was compelling. Funny resemblance to The Thing where the solution to eliminate the intruders is the brute elemental force of fire but there remains the cliffhanger of our hero being compromised by the experience.
I like the acid blood concept because it's vaguely like karma or bloodfeuds/revenge cycles or the idea that hate is a diseasethe acid blood and so on. idk i guess there's some good ideas in there isn't there
Prometheus deleted scenes show a much more explicitly Christian parableThere's concept art floating around from when the Prometheus sequel was Alien: Paradise Lost and not Covenant.
I like the acid blood concept because it's vaguely like karma or bloodfeuds/revenge cycles or the idea that hate is a disease
That there is "splashback" from committing violence; in injuring the thing, you also harm yourself, there is a splashzone of collateral damage and often you're in it
Annihilation always struck me a feminist remake of Tarkovsky's Stalker, like the way they made an all girls cast of Ghostbusters? They talk about their trauma, their breast cancer, their husbands, very Girls Trip but scifiAnnihilation was pretty good, strange in a ‘now’ way (cinematographically, soundtrack and acting-wise) but also laudably so. It bracketed a lot out to focus on the themes it wanted to raise which is respectable and the final sequence where there’s a climax of otherworldly revelation that doesn’t resolve anything but makes things even more mysterious was compelling. Funny resemblance to The Thing where the solution to eliminate the intruders is the brute elemental force of fire but there remains the cliffhanger of our hero being compromised by the experience.
That "we" include the missus? Good man!Think we’ll do the 70s Invasion of the Body Snatchers tonight
Great spot good eye. Covenant's the only one I haven't seen. What do you reckon the symbolism is?Böcklin nod here, presumably a nod to Giger too as he did his own version of 'Isle of the Dead'.
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Yeah "hollow earth" is another interesting theme in these kinds of romances, a la Jules Verne. I think it comes up in the new Kong x Godzilla films yeah?
Mutually Assured DestructionIt can still kill you even if you kill it.
Böcklin nod here, presumably a nod to Giger too as he did his own version of 'Isle of the Dead'.
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Great spot good eye. Covenant's the only one I haven't seen. What do you reckon the symbolism is?