sufi
lala
when you first hear a new tune, often there is zero or minimal context - you just get the music. maybe there's an obscure name and a record sleeve or an jpg, maybe not, maybe just the provenance of inclusion in a mix, with an obscure soundcloud comment "осом!!". Then you google it, or everyone catches up and there are mentions here, or articles by journalists, and you realise that there are just regular humans who made that noise, and maybe they don't even align with your style, the magic might fade, but if you still value the track after that, maybe it's a keeper.
that's the moment of pure appreciation - just on the merits of the sound, and maybe enhanced by the obscure clues alongside it, an evocative name or logo
it can be extended, sometimes indefinitely, sometimes whole music movements never really leave it - like the multitides of mostly anonymous house tracks, retaining that mystique, or sounds that are geographically removed, reggae has that ...
do you get what i mean?
that's the moment of pure appreciation - just on the merits of the sound, and maybe enhanced by the obscure clues alongside it, an evocative name or logo
it can be extended, sometimes indefinitely, sometimes whole music movements never really leave it - like the multitides of mostly anonymous house tracks, retaining that mystique, or sounds that are geographically removed, reggae has that ...
do you get what i mean?