Logan Sama said:That article seemed pretty fair given what I imagine the author has been exposed to.
Grime isn't even a nationwide phenomenon in the UK yet, so it getting pushed in the States amuses me. Glad some people are feeling it though. Even if it is perhaps somewhat influenced by trying to look current![]()
I've no idea, though, why any writer would go to press saying a genre's a fad if he's not sure he's actually heard it.
We read about grime here and there in the Bay, but it's certainly not part of our day to day; and no one plays it out, save ex-jungle kids throwing down I Luv U occasionally
I'll just submit that Radioclit's screw is not exemplary of the genre as I understand it. It is, as you say, just slowed and doubled; it's not as not funny, maudlin, chopped apart, or bent as Houston's finest. Like any DJ-based genre, selecting is a huge part of the game with screw. The wrong song won't hold water.
OG Ron C's a master of selection--something like Fuck Action 37.5 is screw at its best.
In any case, there's no reason everyone has to have the same taste; if your head's wound up tight with grime, it's totally understandable that this molasses-rap doesn't make no sense. All best.