i'm a big fan alot of her films look incredible and you can not only thank her but her usual cinematographer Agnes Godard for that aswell, Barry Jenkins is a big fan of hers and while i still haven't seen Moonlight i did see If beale street could talk and it definitly bore her markI know I'm often moaning about technology, but it's not all bad. I watched Criterion's Beau Travail restoration last night and it's stunning. One of the best looking films I've ever seen.
![]()
Nah, Beau Travail's the first I've seen of hers.Have you seen Ma Souer? It's a bit grim and predictable but does feature an incredible very anxiety inducing long scene of a drive on a motorway, in thd rain, overtaking lorries and it all being very stressful. Unforgettable. Sort of on a par with the extended driving bit of solaris.
They've a conversation between her and Jenkins on my Blu-ray, an Agnes Godard commentary too.i'm a big fan alot of her films look incredible and you can not only thank her but her usual cinematographer Agnes Godard for that aswell, Barry Jenkins is a big fan of hers and while i still haven't seen Moonlight i did see If beale street could talk and it definitly bore her mark
i mean everything was touched by COVID directly and indirectly forget film/culture its hit the world at largeThey've a conversation between her and Jenkins on my Blu-ray, an Agnes Godard commentary too.
It's interesting looking at the extras on these recent releases as a lot of them take place over Zoom or some other video chat software. Maybe we'll forget why over time, but I wonder whether they'll be permanently marked by COVID. You'll pick something up and immediately realise it was a pandemic release due to those features.
Yeah, obviously, but I found it interesting it's somewhat preserved on these Blu-rays as I expect people will go back to in person interviews eventually and there'll be this crop of films released across the two or three years that stick out for having everything done over Zoom.i mean everything was touched by COVID directly and indirectly forget film/culture its hit the world at large
it is and it'll also serve as reminder of exactly when Zoom became a part of "the workplace" much like the printer and the much vaunted water coolerYeah, obviously, but I found it interesting it's somewhat preserved on these Blu-rays as I expect people will go back to in person interviews eventually and there'll be this crop of films released across the two or three years that stick out for having everything done over Zoom.
I saw chocalot about a billion years ago. I'll look out for something by her in the cinema@shakahislop you ever seen any Denis? she's not a "slow cinema" director but there's alot of things in her movies aesthetic wise that i think you'd get alot out of
pick from the two i suggested on here or maybe High Life that was the one that got me into her (she got a decent performance out of Andre 3000!)I saw chocalot about a billion years ago. I'll look out for something by her in the cinema
how come? honestly from the premise of it, it makes total sense that she would take a chance at itI would never have imagined someone making a film of Stars At Noon. Really surprised at that, will keep an eye out
pick from the two i suggested on here or maybe High Life that was the one that got me into her (she got a decent performance out of Andre 3000!)
i like chocolat but her later stuff is just that more interesting and developed to me.
that said Isaach de Bankole is great in it, he's amazing
it is and it'll also serve as reminder of exactly when Zoom became a part of "the workplace" much like the printer and the much vaunted water cooler
Someone's stuck the Beau Travail remaster on YouTube with working subtitles, so he could just watch that.
The only film of hers I've seen is White Material, but I don't remember it well enough to have preserved any opinionsso what nobody gonna talk about how her movies capture people from minority groups and backgrounds or is that gonna be me again?