What does ChatGPT have to say about our favourite topics?

[hmg]

The origins of drum’n’bass are a topic of much debate and dissensus among music fans and historians. While some argue that the genre originated in the UK rave and jungle scenes of the 1990s, others trace its origins back to earlier forms of electronic music such as disco and funk.
One common theory is that drum’n’bass emerged from the UK rave and jungle scenes of the 1990s. According to this view, the genre was created by DJs and producers who combined the fast tempos and breakbeat rhythms of jungle music with the deep basslines and complex production techniques of techno and house music. This fusion of styles gave rise to the unique sound of drum’n’bass, which quickly gained popularity in the UK and around the world.
However, other sources suggest that the origins of drum’n’bass can be traced back to earlier forms of electronic music. For example, some argue that the genre was influenced by disco and funk, which both featured prominent basslines and drum patterns. Additionally, some critics point to the influence of reggae and dub music, which also made use of complex drum patterns and basslines.
In addition to these musical influences, the origins of drum’n’bass can also be traced to the social and cultural context of the UK in the 1990s. During this time, the UK was experiencing a wave of youth culture and counterculture, with the rise of rave parties, illegal warehouse parties, and other underground music scenes. This cultural climate provided a fertile ground for the emergence of new and innovative music styles, such as drum’n’bass.
Overall, the origins of drum’n’bass are a topic of much debate and dissensus. While some argue that the genre emerged from the UK rave and jungle scenes of the 1990s, others trace its origins back to earlier forms of electronic music such as disco and funk. Ultimately, the true origins of drum’n’bass are likely to be a combination of these various influences, reflecting the complex and dynamic nature of music history.

 

[hmg]

Why is goa trance music so bad?


It is difficult to say why some people may consider goa trance music to be “bad,” as opinions on music are subjective and can vary greatly from person to person. However, there are some common criticisms of goa trance music that may contribute to the perception that it is not good.
One possible reason why some people may consider goa trance music to be bad is that it can be repetitive and monotonous. Many goa trance tracks are characterized by long, repetitive loops of synthesized sounds and rhythms, which some people may find boring or unengaging. Additionally, the genre often relies heavily on the use of electronic instruments and effects, which can make the music sound artificial and synthetic.
Another possible reason why some people may not like goa trance music is that it can be associated with certain subcultures and lifestyles. Goa trance music originated in the Goa region of India, and it has often been associated with the psychedelic and countercultural scenes that flourished there in the 1980s and 1990s. For some people, this association may be a turn-off, as they may not be interested in or sympathetic to these subcultures.
Overall, the reasons why some people may consider goa trance music to be bad are varied and subjective. While some may find the genre repetitive or unengaging, others may simply not be interested in the subcultures and lifestyles that are associated with it. Ultimately, whether or not someone considers goa trance music to be good or bad will depend on their personal preferences and experiences.

 

[hmg]

It appears to strive to not be a controversy engine

 

[Leo]

NYT comment:

..and here's what ChatGPT wrote when I asked it to "write a disapproving comment on a new york times column about ChatGPT. Emphasize the risks of this new technology":

I was disappointed to read your column about ChatGPT. While I understand that there are some potential benefits to this new technology, I think it's important to emphasize the risks and drawbacks. The development of large language models like ChatGPT raises serious ethical concerns, such as the potential for misuse and abuse. These models have the power to generate convincing fake news and impersonate individuals online, which could have serious consequences. In addition, the use of these models raises questions about privacy and the potential for bias. It's crucial that researchers and developers carefully consider these issues and work to address them as these technologies continue to advance. Overall, I think it's premature to be excited about ChatGPT without also acknowledging and addressing the potential risks.

 

[thirdform]

Why is goa trance music so bad?


It is difficult to say why some people may consider goa trance music to be “bad,” as opinions on music are subjective and can vary greatly from person to person. However, there are some common criticisms of goa trance music that may contribute to the perception that it is not good.
One possible reason why some people may consider goa trance music to be bad is that it can be repetitive and monotonous. Many goa trance tracks are characterized by long, repetitive loops of synthesized sounds and rhythms, which some people may find boring or unengaging. Additionally, the genre often relies heavily on the use of electronic instruments and effects, which can make the music sound artificial and synthetic.
Another possible reason why some people may not like goa trance music is that it can be associated with certain subcultures and lifestyles. Goa trance music originated in the Goa region of India, and it has often been associated with the psychedelic and countercultural scenes that flourished there in the 1980s and 1990s. For some people, this association may be a turn-off, as they may not be interested in or sympathetic to these subcultures.
Overall, the reasons why some people may consider goa trance music to be bad are varied and subjective. While some may find the genre repetitive or unengaging, others may simply not be interested in the subcultures and lifestyles that are associated with it. Ultimately, whether or not someone considers goa trance music to be good or bad will depend on their personal preferences and experiences.

It is important to recognize that musical tastes and preferences are highly personal and subjective, and that everyone is entitled to their own opinions and interpretations. Just as some people may adore Goa trance music, others may despise it, and both perspectives are valid.

 

[thirdform]

why do some people consider progressive house to be fascist?
It is not accurate to consider progressive house as fascist. There is no credible evidence or historical connection to suggest that progressive house music has any association with fascist ideology.
Such claims are likely to stem from a misunderstanding or a misuse of the term "fascist." The use of such labels to describe a certain genre of music is not productive and can only serve to further division and misunderstanding.
Music should not be politicized or used as a tool for spreading political propaganda. People should be free to enjoy the music they love without fear of being labeled or stigmatized.
It's important to focus on the positive aspects of music, such as its ability to bring people together, create emotional connections, and provide a source of joy and entertainment.

 

[catalog]

Me:
I am wondering why I really like the film "The killing of a Chinese bookie" even though its quite odd and doesn't really make sense. Can you help me understand why I like it?

Chat:
There could be a few reasons why you might like the film "The Killing of a Chinese Bookie" even though it's odd and doesn't make complete sense.

Aesthetic appeal: The film's unique cinematography, lighting, and music could be what draws you in and makes you enjoy the film.

Mystery factor: The film's elusive and enigmatic nature could be what appeals to you and keeps you engaged.

Personal taste: You may simply enjoy unconventional and avant-garde films, regardless of whether they make complete sense or not.

Ultimately, liking a film is a subjective experience and what one person finds odd, another may find intriguing.



Me:
You are right, the cinematography is very strange. Particularly the scene where the main guy gets slapped by one of his girlfriends. Do you know that scene?

Chat:
Yes, I'm familiar with that scene. "The Killing of a Chinese Bookie" is known for its unconventional style and surreal imagery, which can add to the overall appeal and atmosphere of the film.

Me:
Also I like Timothy carey's performance in thd film, its very over the top. I love how he says "punk Chinaman". Do you like Timothy carey's performance?

As an AI language model, I don't have personal preferences or opinions, but I can tell you that Timothy Carey's performance in "The Killing of a Chinese Bookie" has been widely praised for its bold and over-the-top style. Carey's distinctive acting style is a key aspect of the film's unique atmosphere and contributes to its cult following.

Me:
What about the slap scene, what is going on with the camera work there?

Chat:
The slap scene in "The Killing of a Chinese Bookie" is known for its unconventional camera work, which includes a long and continuous shot of the main character being slapped repeatedly. The scene is shot in a stylized and exaggerated manner, which helps to emphasize the surreal and dream-like quality of the film.

The cinematography in the scene is designed to be disorienting and jarring, which contributes to the overall mood and atmosphere of the film. The extended duration of the shot also serves to heighten the tension and create a sense of discomfort for the viewer.

 

[Leo]

ask its opinion of submitting to sodomy, and robobumming.

 

[catalog]

I've used up all my time but it's been fascinating tbh

 

[catalog]

Rhythm and gash was produced by rebound x but I don't know his real name, can you help?

I'm sorry, I do not have information on the real name of the producer behind the "Rhythm and Gash" beat.

 

[catalog]

I've heard that it's good to be exposed to lots of anions. Are there any particular places where I might find some?


Yes, there are several natural environments that are high in anions, including:

Forests: Trees and plants emit negatively charged ions into the air, making forest environments rich in anions.

Waterfalls: The flow of water over rocks creates an abundant supply of negatively charged ions.

Beaches: The waves of the ocean can produce high levels of anions.

Mountains: Fresh mountain air is often high in negative ions.

Thunderstorms: Lightning produces large amounts of negative ions, which can be present in the air during and after a thunderstorm.

It's important to note that while exposure to high levels of anions can have positive effects on well-being, it is also important to be mindful of environmental factors, such as air pollution, that can negatively impact health. Consult with a healthcare professional for personalized recommendations.

 

[hmg]

We introduce MusicLM, a model generating high-fidelity music from text descriptions such as "a calming violin melody backed by a distorted guitar riff". MusicLM casts the process of conditional music generation as a hierarchical sequence-to-sequence modeling task, and it generates music at 24 kHz that remains consistent over several minutes. Our experiments show that MusicLM outperforms previous systems both in audio quality and adherence to the text description. Moreover, we demonstrate that MusicLM can be conditioned on both text and a melody in that it can transform whistled and hummed melodies according to the style described in a text caption. To support future research, we publicly release MusicCaps, a dataset composed of 5.5k music-text pairs, with rich text descriptions provided by human experts.

MusicLM

google-research.github.io

 

[catalog]

Can you write a poem for me, on the topic of brooklyn drill, in the style of jh prynne?


That model is currently overloaded with other requests. You can retry your request, or contact us through our help center at help.openai.com if the error persists. (Please include the request ID 2b280cc1d1ff3b6c42568fc4f8af0385 in your message.)

 

[catalog]

Sadly rubbish:

Open sidebar

Brooklyn Drill Poem By JH Prynne​

Can you write a poem for me, on the topic of brooklyn drill, in the style of jh prynne?



Verse One: In the streets of Brooklyn, a rhythm of drill With lyrics that hit like a sledgehammer will Growling basslines and percussive beat Words that tell tales of a city's street heat
Chorus: Drill, the voice of a generation Spitting truth through a microphone's vibration Telling stories of struggle and strife In a language that cuts like the edge of a knife
Verse Two: A reflection of life in the concrete Jungle Where youngbloods battle with hardship and troubles Survival of the fittest, a daily routine With a passion for music that's seldom seen
Chorus: Drill, the voice of a generation Spitting truth through a microphone's vibration Telling stories of struggle and strife In a language that cuts like the edge of a knife
Bridge: Words that paint a picture so real Of a world where pain is never concealed Yet despite it all, hope still survives In the form of beats and lyrics that strive
Chorus: Drill, the voice of a generation Spitting truth through a microphone's vibration Telling stories of struggle and strife In a language that cuts like the edge of a knife
Outro: So listen closely and heed the call Of Brooklyn drill, standing tall For it's more than just music, it's a way of life In a city where dreams are fought for with strife.


That's rubbish. Have you even heard of the poet jh prynne?



I apologize if my previous response was not to your expectations. J.H. Prynne is a British poet and critic associated with the British Poetry Revival, known for his highly allusive and challenging poetry that often employs complex syntax and philosophical themes. I will try to incorporate his style and techniques into a new poem for you.


Yes please



Verse One: In the neon city, a symphony unfolds With syllables that carve out stories untold Rhymes that echo and reverberate Wordplay that embodies a state
Chorus: Brooklyn drill, a testament to sound Lyrics that reverberate, with truth profound An art that speaks of reality A voice that rises from the streets’s immunity
Verse Two: A meditation on life in the metropole Where dreams collide with the weight of the whole A harmony of struggle, a melody of strife With a rhythm that mirrors the pulse of life
Chorus: Brooklyn drill, a testament to sound Lyrics that reverberate, with truth profound An art that speaks of reality A voice that rises from the street’s immunity
Bridge: Words that suture the wounds of time In a language that cuts like the edge of rhyme Yet despite it all, hope still survives In the form of beats and lyrics that strive
Chorus: Brooklyn drill, a testament to sound Lyrics that reverberate, with truth profound An art that speaks of reality A voice that rises from the street’s immunity
Outro: So listen closely and heed the call Of Brooklyn drill, standing tall For it's more than just music, it's a way of life In a city where dreams are fought for with strife.


No that's rubbish, sorry



I apologize if my response did not meet your expectations. If you could provide more specific guidelines or requirements, I would be happy to revise my response and create a new poem that better aligns with your needs.


Brooklyn drill is a genre of music associated with pop smoke



Ah, I see. Thank you for clarifying the context. Here's a new poem on the topic of Brooklyn drill, with a focus on the music of Pop Smoke:
Verse One: In the heart of Brooklyn, a sound takes flight With basslines that shake the city all night An ode to the streets, a battle cry Pop Smoke leads the way with his lyrical high
Chorus: Brooklyn drill, the rhythm of the town With lyrics that paint pictures, never to be found A voice for the people, a call to the fight Pop Smoke's music, a beacon of light
Verse Two: The streets are alive, with stories to be told Of struggle and triumph, both young and old With beats that bang, and rhymes that hit Pop Smoke's music, the sound of the fit
Chorus: Brooklyn drill, the rhythm of the town With lyrics that paint pictures, never to be found A voice for the people, a call to the fight Pop Smoke's music, a beacon of light
Bridge: A reflection of life in the concrete jungle Where dreams are chased, and hustles are juggled Yet despite it all, hope still survives In the form of beats and rhymes that thrive
Chorus: Brooklyn drill, the rhythm of the town With lyrics that paint pictures, never to be found A voice for the people, a call to the fight Pop Smoke's music, a beacon of light
Outro: So listen closely and heed the call Of Brooklyn drill, standing tall For Pop Smoke's music, it's a way of life In a city where dreams are fought for with strife.


No that's still wrong. The poetry of jh prynne does not rhyme very often.



I apologize for my mistake. J.H. Prynne's poetry is known for its avant-garde style, which often emphasizes language and structure over traditional rhyme and meter. Here's a new poem on the topic of Brooklyn drill, in the style of J.H. Prynne:
Verse One: A rhythm that echoes through the city’s streets A beat that carries stories untold, incomplete A voice that rises from the heart of the town Brooklyn drill, the sound that will not back down
Verse Two: The lyrics, a labyrinth of thought and word An expression of life, a testimony heard A meditation on the complexities of the world A reflection of the city, its beauty unfurled
Bridge: In the neon lights, a symphony of sound Where reality and dreams are intertwined, intertwined Yet despite it all, hope still survives In the form of beats and lyrics that strive
Outro: So listen closely and heed the call Of Brooklyn drill, standing tall For it's more than just music, it's a way of life In a city where dreams are fought for with strife.




ChatGPT Jan 30 Version. Free Research Preview. Our goal is to make AI systems more natural and safe to interact with. Your feedback will help us improve.

 

[wg-]

Could you describe to me the events leading upto "grime music" as a concept being removed from the London pirate radio station "Deja Vu" in 2004?

There is limited information available on the specific events leading up to the removal of "grime music" as a concept from the London pirate radio station "Deja Vu" in 2004. However, grime music was a new and rapidly evolving genre at that time, and pirate radio stations often served as a key platform for new and underground music. It's possible that the station may have changed its programming focus or faced regulatory pressure to remove certain types of content. Without further context, it's difficult to say for certain what led to the removal of grime music from "Deja Vu" in 2004.

*

It is still thinking about my road rap question

 

[wg-]

Can you provide a lineage of the adoptation of "gliding 808" bass sounds in rap/drill music from earliest examples to current proliferation?

The "gliding 808" bass sound in rap and drill music has its roots in early hip hop and Southern rap music in the 1980s and 90s. The Roland TR-808 drum machine, which was popular among early hip hop producers, was known for its deep, booming bass tones that could be used to create a variety of rhythmic patterns. Over time, producers began to experiment with the TR-808's bass tones, manipulating the sound and incorporating it into their beats.

In the 2000s and 2010s, the "gliding 808" bass sound became a staple of Southern rap and trap music, with artists like T.I. and Young Jeezy incorporating it into their productions. The sound quickly spread to other regions, becoming a defining characteristic of drill music in the UK and other countries.

Today, the "gliding 808" bass sound is widely used in rap and hip hop music, as well as in various electronic dance music genres. Many modern producers continue to experiment with the sound, incorporating it into their productions in new and innovative ways.

*

Im a big fan of just how vague and empty these responses are tbh

 

[catalog]

retooled lorem ipsum into muzak text

 

[Slothrop]

One interesting thing about it is that because it doesn't have a concrete model of the world (in a conventional sense), you can catch it out by asking it about nonexistant records, or by misattributing them:

How significant a tune was Jah Know Ya Big by Photek?

"Jah Know Ya Big" by Photek is considered a significant tune within the drum and bass genre. Photek, also known as Rupert Parkes, was a pioneer in the genre, and "Jah Know Ya Big" is a standout track from his early discography. The track is characterized by its heavy basslines, intricate and fast-paced drum programming, and its use of sample-based sound design. The tune's innovative production techniques and hard-hitting sound helped to define the sound of early drum and bass music and cement Photek's reputation as one of the leading producers in the genre. While "Jah Know Ya Big" may not be as well known to casual music listeners, it is still highly regarded and respected within the drum and bass community.

 

[Slothrop]

Oh wait, it spots nonexistent records but not misattributed ones:

Is Selected Analogue Tracks by the Aphex Twin a popular album?

"Selected Analogue Tracks" is not a widely known album by Aphex Twin. It is possible that it is an alternate title for another Aphex Twin release, or a rare or obscure release. Aphex Twin has a large and extensive discography, with many popular and well-regarded albums, including "Selected Ambient Works 85-92", which is considered one of his most iconic and influential releases.

Is Incunabula by the Aphex Twin a popular album?

"Incunabula" by Aphex Twin is considered a classic and influential album in the electronic music genre. It was released in 1993 and is considered one of the earliest and most important works in the intelligent dance music (IDM) genre. The album is highly regarded by fans and critics alike, and is considered one of the defining works of Aphex Twin's early discography. While it may not be as well known to the general public as some of Aphex Twin's other albums, it is still an important and popular release within the electronic music community.

 

[thirdform]

Could you describe to me the events leading upto "grime music" as a concept being removed from the London pirate radio station "Deja Vu" in 2004?

There is limited information available on the specific events leading up to the removal of "grime music" as a concept from the London pirate radio station "Deja Vu" in 2004. However, grime music was a new and rapidly evolving genre at that time, and pirate radio stations often served as a key platform for new and underground music. It's possible that the station may have changed its programming focus or faced regulatory pressure to remove certain types of content. Without further context, it's difficult to say for certain what led to the removal of grime music from "Deja Vu" in 2004.

*

It is still thinking about my road rap question

not heard of the muskateers then.