dilbert1

Well-known member
Theater near me is doing a Hitchcock marathon. I’ve previously seen Vertigo, Rear Window, Psycho and North by Northwest. I’ll be seeing Foreign Correspondent tonight, and over the weekend Rebecca and Shadow of a Doubt. Any others I absolutely must see? They’re screening almost all of them for the next few weeks.
 

version

Well-known member
Theater near me is doing a Hitchcock marathon. I’ve previously seen Vertigo, Rear Window, Psycho and North by Northwest. I’ll be seeing Foreign Correspondent tonight, and over the weekend Rebecca and Shadow of a Doubt. Any others I absolutely must see? They’re screening almost all of them for the next few weeks.

Those first four you mentioned are the best I've seen of his. The only other two I've seen are The Birds and The 39 Steps and I don't think they're essential, although The Birds has some cool scenes.

@Clinamenic watched loads of them a while back, so he'd be a good person to ask.
 

william_kent

Well-known member
huge filmography

39 steps and the birds are essential

39 steps huge influence on Jacky Chan's 'clock tower" scene in Project A



Jack Chan - project A clock tower scene which might have gone not to plan and resulted in a trip to the hospital

and THE BIRDS an inspiration for the finest funniest independent movie EVER



Birdemic ( I can talk about this film all night )
 

GhostofKinski

Well-known member
huge filmography

39 steps and the birds are essential

39 steps huge influence on Jacky Chan's 'clock tower" scene in Project A



Jack Chan - project A clock tower scene which might have gone not to plan and resulted in a trip to the hospital

JC was the last half of the 20th century’s answer to Buster Keaton.
If you haven’t already, check out the movie ‘Ah Khan’ *sp. in English it was released as ‘The Stuntwoman’ a young (and eternally beautiful) Michelle Yeoh. She broke both hips during filming & it didn’t get cut. You see the commitment/bravery of this former Ms. Malaysia or wherever she’s from.
 

william_kent

Well-known member
JC was the last half of the 20th century’s answer to Buster Keaton.
If you haven’t already, check out the movie ‘Ah Khan’ *sp. in English it was released as ‘The Stuntwoman’ a young (and eternally beautiful) Michelle Yeoh. She broke both hips during filming & it didn’t get cut. You see the commitment/bravery of this former Ms. Malaysia or wherever she’s from.

I'm a fan of Michelle Yeoh

I went to school with a kid whose younger sister was called MAGGIE CHEUNG

unfortunately not the same one who starred in THE HEROIC TRIO with Michelle Yeoh and the HK /Cantonese madonna wannabe Anita Mui

1748050674370.jpeg
 

GhostofKinski

Well-known member
I'm a fan of Michelle Yeoh

I went to school with a kid whose younger sister was called MAGGIE CHEUNG

unfortunately not the same one who starred in THE HEROIC TRIO with Michelle Yeoh and the HK /Cantonese madonna wannabe Anita Mui

View attachment 22910
Yes great film. When I was playing judo regularly I saw Michelle at a MA public demo at city college. She literally had an aura of beauty.
 

dilbert1

Well-known member
Here it is. Some of his early ones blur together in my mind, but I remember Downhill standing out, and Waltzes from Vienna (a biopic about Johann Strauss, strangely enough).

This list was a rough pass, I'm sure if I dwelt on it and revisited some, I'd make changes. Listed from favorite to least favorite.

Your list disappeared!
 

hmg

Victory lap
Theater near me is doing a Hitchcock marathon. I’ve previously seen Vertigo, Rear Window, Psycho and North by Northwest. I’ll be seeing Foreign Correspondent tonight, and over the weekend Rebecca and Shadow of a Doubt. Any others I absolutely must see? They’re screening almost all of them for the next few weeks.
Rope is a good 'un.
 

dilbert1

Well-known member
Alright so I’ll have to see 39 Steps and Rope then.

Foreign Correspondent was great. Fast-paced and absorbing. If you’re a romantic antiquarian like myself, these expertly shot and edited films old as they are can really transport you to their moment, the crispness of the picture making it feel unnaturally close, real time-travel escapism. Not to mention the urgent substance of the film’s plot, taking place in the immediate lead-up to WWII, and its release a week before Germany began bombing London.

The main character symbolizes how a free American press might leverage the sympathy its courageous journalistic exploits could generate for an ever-greater threatened Britain to inspire mass support of the US population for its government’s intervention. The ending title card, following an impassioned Edward Murrow/Walter Cronkite style radio appeal from an embattled London studio to an American listenership for their thoughts and prayers, had me burst out laughing, with a shining art-deco eagle and the final bar of the national anthem booming over top.

Reading up on the film, its said that at the time of its release even Joseph Goebbels tipped his hat to it, as “a masterpiece of propaganda, a first-class production which no doubt will make a certain impression upon the broad masses of the people in enemy countries.” High praise, indeed!
 

Clinamenic

Binary & Tweed
Linklater has a new one coming out about the making of Breathless and the new wave


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@videkiman2343

9 days ago
This is like the avangers for french film buffs

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