You see, most of you lot are referring to music that was ONLY BIG IN THE UK, which discounts this arguement, becuase the English are always first to put 'weird' music into the charts. Maybe it should be WORLDWIDE hits, I'd place:
PINK FLOYD 'DSOM' album
ROLLING STONES - 'Satisfaction'
GARRY GLITTER - 'rock n roll', 'do you wanna touch me' - 2 drums sonically, and the rampant Paedophile himself - its so fucken weird and extreme, he makes Genesis P Orrige look, you know, 'straight'.
TRIO - 'Da Da Da' it became a novelty, but actually wasn't...
NORMAN GEENBAUM - someone beat me to it! 'Spirit in the sky' and the fucken mental cover from the 80s!
DEVO 'Whip it'
DEAD Or ALIVE - 'You spin me around' (really intense, slammin gay sound. mega commercial)
DAVID BOWIE - 'Ashes to Ashes' - this was a HUGE early 80s hit and was totally fucken freaky, freakier than anything he did with Ziggy Stardust.
TALKING HEADS 'Psycho Killer', 'Once in a lifetime' and 'Burning down the house' - though the last one was the biggest hit, even if it was only top 20.
FRANKIE GOES TO HOLLYWOOD - 'Relax' and 'Two tribes' they were both total sonic orgiastic messes of tracks that were HUGE worldwide - two of the biggest selling singles of all time.
GRANDMASTER FLASH ' The Message'
INXS 'What you need'
and yeah
PRINCE ' When doves cry' and 'Rasberry Beret' - esp the latter, the termed is 'paisley psychadelia' but it sounded NOTHING like the Beatles or Jefferson Airplane or the Doors at the time!
Kinda innaresting coz all this contemporary and recent 'weird' 'alt' and dare I say it 'queer' shit that is defined by it's 'otherness' seems all so 'straight', 'safe' and 'dull' compared to these SUPER COMMERCIAL HITS of the 70s 80s. Kinda pathetic when you think about it.
