D84 said:As per blunt's quote in the Ishkur's Guide to Electronic Music thread, this says everything I ever thought about Fatboy Slim:
"Ahh, Big Beat. This is the genre that finally made the homephobic frat house crowd finally accept that pussy electronic music at their Saturday night kegger parties. I mean, they still thought it was gay, but not as gay as that faggot trance shit."![]()
I can't understand why people assert that Big Beat left this legacy, it's becoming a well-worn mantra now - true, there were a lot of awful FBS copyists, and there's only so much old 60s groove / kitsch you can stick beats over before it burns itself out. But the constant myth that BB was just lapped up by lager louts isn't accurate, it was quite a mixed crowd actually. I just liked stuff like Cut La Roc and FBS when they broke because 'drum n bass' had become an almost exclusively male circle of chin-stroking and Blue Note sampling - as for rock, sorry but 96/97 were absolute rubbish, I mean Jon Spencer Blues Explosion were actually seen by some critics as an exciting raw garage act, that's how stifling and moribund the whole rock scene had become. Big Beat was just a kneejerk to all that. Anyway, even if FBS is a joke now I'll eternally forgive him for his remix of 'Renegade Master'. Having said that, maybe the BB 'scene' was different in the US.