My God, this is either gonna be the album of the year or the exact moment hip hop enters stadium-rock mode (it already has?). On a similar note, Timbaland continues his trance forays on this great track from P Diddy's new album:One track is "what everybody is waiting for," he revealed, "me and Dr. Dre. I did , it's hard. I got 50, Jay-Z, Lil Wayne. The other stuff is rock: She Wants Revenge, the Hives, I'm about to get the Fall Out Boys, Björk, Elton John." Tim went on to say that he's interested in eventually signing the Hives and M.I.A.
I love the "My Love"-esque gated pad during Shawnna's verse.
It's not that difficult actually; you can accomplish that effect in many ways. What you are hearing is the digital equivalent to a dj moving the volume fader up and down rapidly, the reason it sounds so tight is that they've (most likely) programmed the volume changes in a sequencer, this makes the changes occur EXACTLY on the beat.these trancy arpeggiated synths are my favourite things in pop right now, by a long way, i absolutely love them. i want to know how to get that sound so much. theres an absolutely phenomenal synth line in this mode in the chorus of the new g unit track (with the video with them all converging from their various arch-criminal scenarios - BATE AND SHIT)
Regarding Timbaland's greatness as a producer: I wonder how much help he gets from other producers, song-writers, sound-engineers and so on. He's undoubtedly ridiculously talented, but I doubt he'd be as prominent were he not helped by an army of talent.
It's not that difficult actually; you can accomplish that effect in many ways. What you are hearing is the digital equivalent to a dj moving the volume fader up and down rapidly, the reason it sounds so tight is that they've (most likely) programmed the volume changes in a sequencer, this makes the changes occur EXACTLY on the beat.
Static, who co-wrote Ginuwine's first single, "Pony", went on to become a prominent R&B songwriter, and is especially noted for writing hit songs for Aaliyah such as "Are You That Somebody" (1998, on which Playa performs background vocals), "Try Again" (2000), and "We Need a Resolution" and "More Than A Woman" (both 2001).
Found out the Yummy Bingham song I heard the other day is called Quickie. Pretty fantastic, weird blippy synths and gentle chimes and shit... oh, and a reasonable song.![]()
There's a lot like that going on. I guess there's that one Adeaze song Nesian Girl on there, but that's as close as it gets to not sounding like it could've come from anywhere else.
I almost picked up the Aaradhna album last time I was back in NZ, but just not enough good songs, IMO.