Producer Talk

[gremino]

Feel free to slate for being to "post-dubsteppy".

not that bad! maybe too much 'background' noises/melodies/drums in my tastes, but it's definitely more vibey and realer than 'post-dubstep'

 

[Amplesamples]

New tune

Hey, see what you think of this.

Trying to record vocals better, but I'm quite happy with this.

 

[bob effect]

New one from me

 

[wascal]

4 new bits coming out on TTKK #2 here: http://www.soundcloud.com/wascal

 

[slackk]

Another one of the odd 160bpm things. We have an album done of this stuff now!

 

[Wheezie]

Another one of the odd 160bpm things. We have an album done of this stuff now!

OMG NEEDED

 

[slackk]

A couple more here- http://www.factmag.com/2011/09/13/patrice-friends-obvious/

I promise I will stop spamming this up now

 

[Corpsey]

''I Wanna Take You'' is the one for me, Slackkk, that sample's been going round and round in my head since I listened to it.

I think big chunk samples should appear more in dance music, actually (ala. jungle/hardcore/hip-hop). Especially as a lot of tunes get released for free on the internet now (dunno if there's the same problem with sample clearance issues in this case).

 

[Roshman]

http://www.soundcloud.com/vonbeat/vonbeat-show-me-your-vonbeat

Take it off...

From his About me bit on Soundcloud.

From the age of five my father would take me to gay German house raves when he couldn't find a babysitter. It is something I grew up with, and I have since devoted my time to evolving the scene. The thing about gay German house is that it is accessible to all, regardless of your colour or creed. it truly is the music of the everyman.

Ab dem Alter von fünf mein Vater würde mich Homosexuell deutschen Haus zu nehmen schwärmt, wenn er nicht finden konnte, einen Babysitter. Es ist etwas, was ich damit aufgewachsen, und ich habe seit meiner Zeit auf sich verändernde Szene gewidmet. Die Sache mit Homosexuell deutsche Haus ist, dass es für alle zugänglich, unabhängig von Ihrer Hautfarbe oder welchen Bekenntnisses ist. es ist wirklich die Musik des Jedermann.

/thread

 

[woops]

just blogged several tracks from 2004-2007, links in my sig

 

[routes]

can someone pls explain to me the logic behind giving a track away on the internet but then limiting it to an arbitrary number of people? eg. 100 people. seems moronic and kinda self-defeating to me.

 

[Dr Awesome]

can someone pls explain to me the logic behind giving a track away on the internet but then limiting it to an arbitrary number of people? eg. 100 people. seems moronic and kinda self-defeating to me.

Sort of re introducing one of the functions of physical music innit, suppose it makes this MP3 "Exclusive" which is interesting to say the least.

 

[gremino]

though 100 people is so big amount of people that someone must leak it to public. surely producers takes this into account, so it might be some "download this fast before you have to search for re-upload" hype-thing... dunno.

 

[Aww Nein]

a lot of the 100 limits to do with soundcloud only allowing 100 downloads.

of course, theres always jdownloader...

 

[old dad]

Just finished working on this Death Grips Guillotine remix.
">

 

[slackk]

The last Patrice & Friends video before the album drops like. Chopped up brass at 160 and a man/squid in love

 

[SecondLine]

My first solo EP came out this week. Housey bassy stuff (minus the polite RnB cutups) :-



you can stream it all on the bandcamp

 

[wascal]

I wondered if the Secondline I spent most of the last month remixing was the one from Dissensus Good EP that, nice one!

 

[Original Face]

New one from me, fwiw:

 

[grizzleb]

Does anyone know of any good techniques for making pure tones from samples of records and the likes? I'm trying to chop up bits of jazz and classical into tones that loop seamlessly for as long as I want. The problem is I can't seem to get it seamless at all. I'd really appreciate any help with this....