TKG Music 003-Kuma/Flippo/Abunaii:Of Silence and Secrecy 12"

Kuma

The Konspirator
l_3a8a169e76894a71afa6f131be656fbc.jpg


TKG Music 003: Kuma - Of Silence and Secrecy

a) Kuma- Of Silence and Secrecy
aa1) Kuma- Of Silence and Secrecy (Flippo's Omega Point Remix)
aa2) Abunaii- Angels (Motomasamix)


Audio here: http://www.myspace.com/thekonspiracygroup
Due Date: Summer
Distro: Cargo
Vinyl/Digital with exclusives

"The miraculous image of sound washed ashore"

This is a beast that was a long time in the making. Running the course of almost ten years, we've done almost everything we could think of under the Konspiracy Group banner. Been the first North American booking agency to really take a full time handling of dubstep. Thrown a bunch of shows showcasing what we have considered to be the most awesome music out there from 0-180 bpm (Kode 9, Pieter K, Spacetime Continuum). We've been blessed to work alongside many amazing people, a lot of you who happen to make your presence felt here. We've even put out a pair of CDs last year. So it only made sense to reach towards the DJs holy grail, to look towards our first 12".

We've always had a thing for the more unique forms of bass science, so for our first piece of vinyl, it made sense to us to distill our mandate and our passion down to its very essence.

Of Silence and Secrecy is one of my favorite things I've ever written. It's Dead Can Dance at 140 bpm. It's a distillation of influences that run from Gorgon Sound to Song To The Siren. Call it psychedelic, tribal garage, call it tropical dubstep, call it what you will. You've very likely heard Kid Kut, Bunzero and Forensics amongst others supporting it over time.

The thing I love most about Flippo's remix is how he's taken the blueprint handed to him and burnt it to ashes. Creating something entirely new while at the same time invoking the beatless legacy of Wiley's Devil Mixes and Kode 9's Sine of The Dub, he builds the track from lush, narcotic ambience into the kind of tune I've always felt Godspeed You! Black Emperor would write if they ever went to FWD.

The third and final track is a downtempo one. Why? Why the fuck not? Every record we put out will include a non-dancefloor tune. Rounding out the package is Motomasa's remix of mysterious Vancouver drum and bass duo, Abunaii. With a production background wedged deep in the hip-hop mecca's of Detroit and Atlanta, Motomasa has slowed down the original drum and bass track's metallic sonorities to a narcotic 808 led skank so these Angels end up somewhere a lot darker then they had planned.

This is just the first shot across the bow. TKG004 will feature Subswara rude boy, Sharmaji, and his mammoth tune "Radha Prepares" alongside his refix of my tune "Luminescent." That'll come later in the year.

Keep an eye out for a brand new Kuma beat tape called Den Songs and a new website too.

Enjoy!
 

Kuma

The Konspirator
Digital out now.

26492_104834379546270_100000591256224_140884_8094_n.jpg


http://kuma.bandcamp.com/

1. Of Silence and Secrecy 06:27
2. Of Silence and Secrecy (Flippo's Omega Point Remix) 05:17
3. Abunaii (Kuma and Eve)- Angels (Motomasamix) 06:34
4. Of Silence and Secrecy (Flippo's Heat Death Remix) 06:50
5. Kuma- You Don't (Woodhead Remix) 06:07

Full 12"; in whatever high quality format you like plus two bonus tracks exclusive to the digital release.

Original 12" master at Transition.
You Don't (Woodhead Remix) mastered at Robot Music House

The bonus tracks are Flippo's ambient deconstruction of “Of Silence and Secrecy” and Vancouver producer Woodhead's tech-house versioning of Kuma's digital stepper “You Don't.”

After ten years of booking shows with the likes of Alex Paterson, Kode 9 and DJ /rupture, being the first North American booking agency to embrace dubstep and helping to pioneer modern bass culture in North America alongside Dub War, Mashit and Smog, the Konspiracy Group's TKG Music label delivers their first vinyl release. The end result of a decades worth of sitting in the bassbins with a middle finger raised.

Following the success of Kuma's debut 12” on Bristol's Immerse Records, it makes sense that the first slab of wax on the TKG Music imprint should feature beats from its founder.

Recalling the shattered rhythms of early Tempa releases as much as it does the tribal atmospherics of Dead Can Dance, Of Silence and Secrecy is an ethereal floor-killer. If ever psychedelic garage was to be tossed around as a description, it's here, as lush strings and neck snapping snares set you moving. But then again, that's before the bass drops. When the bass kicks, its a full on future-garage excursion as tribal horns of war call the way to the dance floor. Alien voices and turntable scratches hasten the journey, but in the end, it's the overwhelming presence of a bassline that is enough to remove the filings from your teeth and send you on your way. Paying just as much reverence to the Croydon godfathers as it does to Ivo Watts and 4AD, this is dubstep unlike anything else, born to move both the mind and the waist.

On the AA-side, Australian dubstep progeny Flippo returns to wax after his releases for Pressing Issues and Formant Recordings only to take the blueprint handed to him and burn it to ashes. Invoking the beatless garage legacy of Wiley's Devil Mixes and Kode 9's Sine of The Dub, he builds the track from lush, narcotic ambience into the kind of tune Godspeed You! Black Emperor would write if they ever went to FWD. A crescendo of live drums and epic swathes of distortion create a monster that both Skream and Steve Albini could love. Dubstep? Yeah, it's dubstep, just happens to wbble different bits than usual.

Rounding out the package is Canadian house veteran Motomasa's remix of mysterious Vancouver drum and bass duo, Abunaii. Slowing down the original drum and bass track's metallic sonorities to a narcotic 808 led skank, these Angels end up somewhere between the Loefah's minimalist half-step destruction and the wonky lazer bass currently being spearheaded by the like of Megasoid and Rustie. With a production background wedged deep in the hip-hop mecca's of Detroit and Atlanta, Motomasa has turned a drum and bass nightmare into a low-slung killer, slinging distorted riffs over Miami bass and the fire and brimstone mutterings of the last man standing at the Bar.
 
Top