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Out to Ben UFO on his Boiler room mix -
just what my ears needed - mix of old & new, housey and raw grime bass, stush selection and all on vinyl - BIG UPS (esp as you dropped Neverland)
http://boilerroom.tv/ben-ufos-65-min-mix/
<object height="81" width="100%"> <param name="movie" value="http://player.soundcloud.com/player.swf?url=http://api.soundcloud.com/tracks/8131516"></param> <param name="allowscriptaccess" value="always"></param> <embed allowscriptaccess="always" height="81" src="http://player.soundcloud.com/player.swf?url=http://api.soundcloud.com/tracks/8131516" type="application/x-shockwave-flash" width="100%"></embed> </object> <span><a href="">King of the Stars</a> by <a href="http://soundcloud.com/original-face">original face</a></span>
jam city, dva, walton, zomby, slackk, grievous angel, lhf.
also funkystepz, ill blu, champion and any other core funky producers.
Out to Ben UFO on his Boiler room mix -
just what my ears needed - mix of old & new, housey and raw grime bass, stush selection and all on vinyl - BIG UPS (esp as you dropped Neverland)
http://boilerroom.tv/ben-ufos-65-min-mix/
Thing is with that Original Face tune the ideas are headfucky and all over the place... just like grime in it's early days.
My problem with bass music at the moment is that it is slowly turning into boring progressive european techno. This is not a case of the scene cybernetics moving into negative, shit wobble or violence, it is a worry that it turns dreary, 'intelligent' or progressive.
Blackdown my opinion is that you need to stick with producers like Original Face and Damu etc, and even if you aren't playing them you need to coach them and give feedback until their levels rise. And they are most definitely rising.