93-style whirling perpetual motion, no negative space in the mid range. impossible not to think of that juan atkins line about early synths being like ufos landing in the music. except that here there are traces of the past, folk memories, in the gliding. like the aliens that built the pyramids, ufos like this one have visited before, a long time ago. (and played some part in our history.) short, faint vocalizations like you get in breaks samples--unobtrusive ghosts. gentle color shift: an organ replaces the synth, but still in hovering mode. subtly exultant vocals (aaaah-ha!) appear briefly, louder but still mysterious. then a bookends of sorts as the initial spacecraft comes back, settling back on its initial flight pattern.