https://www.complex.com/music/2014/03/quavo-is-the-most-influential-rapper-of-2014
Here's a thing of his on quavo from 2014 you might like corpse
"The Migos, really, are the 2014 Das EFX, only the sewer's been replaced by the bando. (No, seriously—Das EFX even spit in triplets, just like the Migos.) Quavo isn't even considered the best rapper in the group—that honor typically goes to Offset, who has more dexterous raps. But part of the reason Quavo has become so influential is because his rapping isn't overly concerned with the intricacies of lyricism. Instead, he's imprinted a very specific rhythmic pattern on hip-hop's psyche. By finding a flow that stood apart and emphasizing it, he shifted the way rappers rap.
No single rap artist has so completely popularized a single, distinct flow. Even Lil Reese's "Us"—copped by everyone from Drake to Future to, um, Austin Mahone—didn't have quite this reach. When it comes to the way rap sounds right now, Quavo's impact is impossible to deny. That distinctive triplet pattern, first popularized on their smash hit "Versace," is the sound of 2014."
"The "Migos Flow" is made up of 1/8th note triplets. A "triplet" means that in the time typically given to two notes, an artist has fit three of equal length. This happens in music all the time; often in Southern rap, the hi-hats will move in three while the rapping is in standard 4/4 time. In this case, it's the reverse, which gives the feeling of moving forwards and standing still simultaneously, like spinners on a car. When most rappers are determined to make their flows seem effortless and slick, the Migos have intentionally made theirs choppier, faster, distinct."
"The Migos flow, then, has a specific effect. Whereas most rappers in Atlanta rap with a sense of swing, leaning back on the beat—Gucci would do this, as would T.I., although "swing" has been pretty consistently "in" throughout hip-hop history—the "Migos Flow" is stiff, landing squarely on beat, without a hint of swing. It gives the impression that their verses are denser, more intricate—like a kind of parodic version of "rapper's rappers." It's almost the sonic equivalent of when Gucci would name songs after multisyllabic adjectives—"Wonderful," "Gorgeous," "Ridiculous," etc. Satirizing the notion of "proper" English, or in this case, "serious" square rapper flows."
