I am 100% not a real art person.
my apologies, as statedI am 100% not a real art person.
No offence taken, but I'm pretty sure you're thinking of someone else.my apologies, as stated
On the roots of conceptronica, I guess the Velvets are the ultimate antecedent - literally Warhol proteges. And maybe the No Wave scene? Or is that a situation where the art crowd that the music was associated with was itself non-institutional / outsider / broke, and hence a different thing?
Velvets are a good shout, albeit they had an antagonistic relationship with Warhol, more a kind of mutual exploitationthe Velvets are the ultimate antecedent - literally Warhol proteges. And maybe the No Wave scene?
yesWhat about TG?
definitelyDrexciya is definitely the benchmark for me because the music is brilliant regardless, but the mythology genuinely expands on what you're hearing and gives it some weight
Guess Bowie needs a mention with his range of personas spread across several albums.
this is why I think we'd be much better off looking for antecedents in fine art, where artists are by definition dependent on the art world for sustenancethey weren't dependent on the art world for sustenance