SIZZLE said:
"there's no need to condemn the bad ones, they'll sink through history while the good ones will rise up"
this blanket generalisation is entirely inadequate and is indicative of a naive fantasy which omits many factors in the business of art, music, film, etc.
how can you say that when so many talentless morons with connections and a knack at shameless self promotion "make it" and even ensure their place in history, while innovators who refine and polish their art with blood and tears for years are sometimes left to die penniless and alone (just look at some of the greatest jazz musicians of last century - Charlie Parker, Eric Dolphy, Nina Simone, the list goes on and on)?
and to this you respond that even though they didn't get the recognition they deserved during their life time, people did realize that their art was great afterward. but the truth is that what "society" considers great art is not always on top for its artistic merits alone, but involves a lot of politics.
Picasso was more flamboyant, and thus is remembered much more than his partner Braque, who some say was the true innovator behind cubism.
why is a timeless hiphop masterpiece like Showbiz & AG's Good Fellas lost in obscurity, while a ton of rubbish gets paper?
the classic "master" paintings from Renaissance may be the best pieces from that time, or may have arisen through the ranks because of other reasons - the right family, the right lover, the right patron, the right church, etc, etc.