Hilton- everyone knows she's little more than an essentially uninteresting blank with a lot of dosh and media attention... (around whom some reasonably interesting though perhaps ultimately spurious crit-theroy arguments can be espoused... see Penman)
Thanks for bringing up Penman. His blogpost on P Hilton struck me as poor. I of course realize what he was going for, what he was attempting, but in the end I think that his energies were misplaced. Pointing out misogyny and the existence of a hypocritical media-ocracy, or a bureaucratic media class who depend on the likes of P Hilton for their existence, is indeed important and potentially very insightful (especially if done well), but his response was little more than a personal counter-fantasy about what she is "really like," how "she really knows herself" - which was little more than the mirror image of the position he was criticizing in the first place. On an anecdotal note, I would add: if you have been as inundated with her for the past however many years as we stateside have been inundated, it becomes
very difficult to abide the kind of recuperative reading that he suggests. I mean, can you imagine a north american critic trying to tell the UK that Pete Doherty is actually just misunderstood and maligned by the media? That *I* have understood him better than you?
I'd also suggest that there was nothing particularly literary critical about that post, unless you include the old idea of "let's reverse a dominant cliche to see if we can read what's behind it in an interesting way." But that's not enough to constitute literary critical thinking, it's just a good first step. When the next step is replacement of actual analysis with personal projections about the inner lives of 'stars,' then something is amiss. All just imho.