the (digital) hardcore continuum - no, seriously

thirdform

pass the sick bucket
they hurry things along too much the germans. always sounds rushed. not enough space or something. total load of shit. what a bunch of cunts.

The English outside of London do this as well.


What a waste of technology.

This is basically dance music with all blackness removed.

Basically Jamaicans had to teach Europeans how to be miminimal. Basically.
 

thirdform

pass the sick bucket
Didn't know Empire made stuff like this:



Only thing I'd ever heard by him was this piece of shit on a Kerrang! CD in the early 2000s:


version I'm going to get corpsey to pull your apendix out of your anus for resurrecting this thread. if your body disintegrates then I guess that can be jah-KLaw's crime.
 

dilbert1

Well-known member
The musicality is entirely crippled by breakcore’s constitutive ‘oppositional’ insistence on sounding like shit, but these intro collages are gold


 

thirdform

pass the sick bucket
I mean its a fine and rowdy tune, but it also kind of feels more derivative than DHR, like really busy second-rate jungle instead of a more or less unique take on it

If you want true uniqueness you should listen to Pierre Boulez or Cecil Taylor.
 

thirdform

pass the sick bucket
ive been devising methods for corpsey to do sick tortures on version for resurrecting this kerang wankers thread.

the only semi-jamaican styled band Kerang played were skindred
 

mixed_biscuits

_________________________
The English outside of London do this as well.


What a waste of technology.

This is basically dance music with all blackness removed.

Basically Jamaicans had to teach Europeans how to be miminimal. Basically.
Isn't it the case that people with critical opinions on this sort of thing are woefully underserved by the lack of professional critical attention to it and the absence of useful terminology and cultural links...that's why it sounds that way to you, not because of its intrinsic nature.
 

thirdform

pass the sick bucket
Isn't it the case that people with critical opinions on this sort of thing are woefully underserved by the lack of professional critical attention to it and the absence of useful terminology and cultural links...that's why it sounds that way to you, not because of its intrinsic nature.

oh I was just ribbing on Luke.

As for goa, a lot of it's constitutive culture elements are not far off from detroit techno, less of the p-funk, naturally, but very euro disco/synthpop/EBM indebted.

This mix is a case and point

Tracklisting
01 Syntech “Discontented” (Hotsound)
02 Nux Nemo “Hiroshima” (Clip)
03 Neon “Voices” (Target)
04 Public Relations “Public Relations” (Another Side)
05 Poesie Noire “Timber – Instrumental” (Antler)
06 Koto “Jabdah – Long Version” (Memory)
07 Laser Dance “Humanoid Invasion” (Hotsound)
08 D’Bop “Dirty Harry – Instrumental” (Subway)
09 Zwischenfall “Flucht” (Les Disques Du Crepuscule)
10 Mark Shreeve “Legion – Razor Mix” (Jive)
11 Bappi Lahiri “Habiba” (Hi-Hat)
12 Alien Sex Fiend “The Impossible Mission” (Plagiarism)
13 Laser Cowboys “Radioactivity – From The Ucraine” (ItaloHeat)
14 Boytronic “Communicate” (Metronome)
15 Psyche “Unveiling The Secret – The Razormaid Mix” (New Rose)
16 Chris & Cosey “Exotika – Remix” (Play It Again Sam)
17 DAF “Program It - Instrumental” (Dean)
18 New Order “True Dub” (Factory)
19 4You “Dragon Beats” (Durium)
20 Cabaret Voltaire “Don’t Argue – Francois Kevorkian & Micheal Hutchinson Mix” (Manhatan)
21 New Design “Some Like It Hot” (MG)
22 Sandy Marton “White Storm In The Jungle” (Ibiza)
23 Jean-Michel Jarre “Zoolookologie” (Polydor)


Pretty great, it's funny how what it inspired was utter shit though.
 
Top