Yup, I'm with you.See, I really like those early Genesis albums with Gabriel.
Oooh, that sounds fabulous! And very sample-able...Nusrat Fateh Ali Khan doing Qawalli singing over massive surging drones
Yup, I'm with you.
I quote like 'em when Chester Thompson takes over the drumming too.
Paul, if you haven't heard Genesis' Seconds Out, which is a late period live LP, you really should.
Well, Carpet Crawlers at least - mentally good prog.
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Solo Gabriel - start with the Bomb Squad remix of Sledgehammer and work out from there. Lots of self indulgent wank but plenty of choooooons.
yes this. those first three nameless solo records are good.See, I really like those early Genesis albums with Gabriel.
And those three solo albums.
Don't expect anyone else to agree with me on this and I don't really care.
I'm off to listen to Supper's Ready...
Is he any good? I know almost nothing about him, other than that he was in Genesis (not a great start, obviously).
Yep yep, actually a Fairlight if you care about such things. It's all over PG's third and fourth records too along with the omnipresent Linn Drum drum machine - very weird-sounding productions indeed. Accounts of zillions of metres of tape being churned through as he mixed and remixed those albums to death.wasnt it gabes who introduced kate to the synclavier, thus resulting in a ( great fking ) record ( hounds of luv ) with no cymbals or hi-hats ?
if true , this is more than enough to save him ! hounds of love ! the dreaming ! i mean ... !
The first known use of this technique was by recording engineer Rudy Van Gelder on the 1976 album Velvet Darkness by jazz fusion guitarist Allan Holdsworth.[citation needed] The drummer on this recording was Narada Michael Walden.
The most copied first use of this technique was on the 1977 David Bowie album, Low.
The gated reverb effect began being used in popular music during the 1980s. Producer Mutt Lange was a pioneer at drenching the recorded drum sound in gated reverb. An early and prominent use of gated reverb was in Peter Gabriel, Phil Collins and Hugh Padgham's production of the third Peter Gabriel solo album.[1]