Like, imagine trying to read jungle through Goldie without talking about Dego, Marc, the reinforced possee, the chancers, profiteers, people exploiting the welfare system, the lumpenness of it all. It doesn't give you an accurate picture.
both Mark and Kodwo respond to jungle etc etc almost entirely as recordings. Hence the relapse into auteurism (but curiously it's an auteurism without any interest in the biographic - the ornery uniqueness of a personality, the life circumstances that led to these odd misshapen beings called artists)
so for instance I can't recall either of them ever writing once about pirate radio, or MCs, or what goes on in clubs.... let alone the business side of the culture.
it's an utterly lopsided approach that produces fantastic dividends in terms of the vividness and intensity of the writing about those records and how they impact your mind and your body, the pictures they create, the train of associations. it's someone listening at home, rather than in the socially embedded context that the music is primarily created for - it's how they impact your body in isolation from all other the bodies
so yeah, not the full picture
but i don't think either would have said they were interested in "accuracy" - not in the least - ,they were interested in the fictions they could create using the sounds as raw material for their dreaming