it is but theres that kind of doubling or shadowing of the melody line that gives it some subtlety depth and sophistication
yeah, it's not happy hardcore, there is still a subtly sinister aspect to it. Goblins.
it is but theres that kind of doubling or shadowing of the melody line that gives it some subtlety depth and sophistication
we'd all like to know the specific ways in which we are sick in the head. it would be very reassuring.It is true, one day I'd like to learn the specific way I'm sick in the head. Not that I could ever trust you lot with diagnosis. But it would be nice to know, and be sure about it.
and it would be nice to know just how far we diverge from the norms, and what wayswe'd all like to know the specific ways in which we are sick in the head. it would be very reassuring.
Would it? It might be like knowing the date of your death and fuck you up even more.we'd all like to know the specific ways in which we are sick in the head. it would be very reassuring.
It's amazing. The way the vocals keep folding in on themselves, all the stuff flying around in the stereo field. Everything's so tight too. Perfect shards.See that's the perfect tune to defend the best thing about UK garage being the drums. because the integration with all the compressed elements and the glassy avant-funk appeal, the missing links between Maurizio and Zapp are there executed brilliantly. Not all that shit about how my drums can't sound like el-b, well don't imitate, innovate!
It's amazing. The way the vocals keep folding in on themselves, all the stuff flying around in the stereo field. Everything's so tight too. Perfect shards.
im listening to it you nobListen to that Mike Millrain tune, Luke. Listen to it properly though, the way everything creeps in from the start. It's so detailed. It actually sounds a bit like some of the rap instrumentals I was posting in Winter Warz; lots of brittle, glittering textures.