Similar band? Not really. Of all the odd, twisted, experimental, and heavy music on Skin Graft in the early 90s, Mount Shasta were one of the least interesting to me. Gravelly vocals, more straigthforward than their labelmates (at least when I saw them), not much dissonance or percussive work of interest. Shasta's lead singer/guitarist was John Forbes, who played in Dirt in the early 90s. I saw Dirt open for Tar and Jesus Lizard in late 1991, and found them rather dull as well, crap anti-rock hoarse-throated vocals with terribly uninteresting accompanying music (Tar and JL on the other hand . . . !).That sounds like a good time. I've never heard of Mount Shasta before. They are a similar band?
I have come to a similar(ish) understanding. Its not for me...
That was a neat summationCould go into long slagging off of it. But won't...
Nits choked with gross, uninteresting orchestrations
... in the voice of Lisa Simpson... Any lingering interest I had was terminated with extreme prejudice by the photographs accompanying the Wire feature (this happens a lot with The Wire, which seems to go out of its way to use delibidinizing face shots - Current 93 rendered completely unlistenable by the Wire pics a few months' back): smugness personified...But won't, asides to say it fails to emotionally involve me, its choked with gross, uninteresting orchestrations which are overly fiddly and fail to serve the songs, and she sings over every bit
You lost interest in a record, in the actual music, because of a photo shoot that was organized, staged, shot, edited, laid out, formatted, and printed by people at a magazine?... in the voice of Lisa Simpson... Any lingering interest I had was terminated with extreme prejudice by the photographs accompanying the Wire feature (this happens a lot with The Wire, which seems to go out of its way to use delibidinizing face shots - Current 93 rendered completely unlistenable by the Wire pics a few months' back): smugness personified...
You lost interest in a record, in the actual music, because of a photo shoot that was organized, staged, shot, edited, laid out, formatted, and printed by people at a magazine?
Yes, of course I remember. And why would I respond any differently?I said the same thing as k-punk on subvert central and you responded in the same way.
Oh I have no difficulty understanding that there are people who "find it difficult to appreciate the music" made by someone whose presentation they don't care for, as the evidence for such objections is ample. But that will not prevent me from offering the opinion that I think such dismissals are uninteresting from the point of view of the music itself. As for the bit about "actively disliking a person," well, that's between you and the musicians you "actively dislike"!Why does it surprise you that when people actively dislike a person and the way they present themselves, they find it difficult to appreciate the music they make?
I personally don't see anything objectionable about the four pictures of Joanna Newsome in the Wire. They are pictures, who cares? K-Punk mentioned "smugness," though it wasn't clear to me whether he meant JN, and Current 93, or the Wire itself, or what, so I didn't respond to that. Maybe the photos will look corny to readers -- okay, yes, I certainly understand why -- but as I've indicated, I really couldn't care less about the photos (the one on p.45 looks a bit goofy) and they certainly would not prevent me from listening to a record that has been lauded by Simon Silverdollar, Woebot, Simon R, Logos, and numerous others whose opinions I value (many others also dislike the record, of course, including Penman and Carlin, who have been very vocal as to why).The excuse that it was all orchestrated by the wire doesn't make any sense - it's not like Ms. Newsom was forced to act against her will; this is how she presents herself, not how other people portray her. Although she didn't write the article or take the photos, they are still photos of her, and most of the text is her actual speech.
Y K-Punk mentioned "smugness," though it wasn't clear to me whether he meant JN, and Current 93, or the Wire itself, or what, so I didn't respond to that.
The wire's almost wilfully boring biographical and facializing approach is another interesting topic though. They tried to use face pictures of Kode9 in their Invisible Jukebox feature last year and only backed down when he protested very vigorously.
I haven't heard the record yet but I don't find pictures of Ms Newsom particularly delibidinizing, quite the opposite in fact.![]()
Wahay! Sorry![]()
, the overriding effect resembling consuming a meal entirely consisting of bon bons whilst watching a country and western musical, when you are highly allergic to bon bons... or something.... At least I now know what all the horrible music I enjoy sounds like to people who really, really don't like it!
There's nearly always too much biographical chatter, too many dry run-throughs of a particular artist's back catalogue and interminable side-projects. The lack of analysis and evocative writing in the features (with a few exceptions- ie: Reynolds and Stelfox of late) is a crippling lack, for such an avowedly "cutting edge" magazine, indeed the paucity of ideas is stultifying. Though of course they would probably argue that there is more than enough of this kind of thing on the net, but there is no reason why it ought not also have a place in the magazine.