Yeah in Chicago they dye the river green, and the streets are full of drunk people in the early afternoon. At least, that was what it was like when I was last in Chicago for St. Pats.@shiels ever been in the US for St Pats?
something tells me you wouldn’t like it, pure craic-ititis
it travels too
View attachment 15844
Maybe there is some phenomenon whereby a set of cultures (ethnic cultures or otherwise) take turns being the "it" culture, in the eyes of a larger, more globalized culture? EG like version hints at above, Banshees made Irish an "it" culture during Emmy consideration season, not sure if Squid Games had the same effect, seeing as it didn't seem to emphasize South Korean culture per se.
I'd imagine, in the case of the western/US globalized cultural complex, only certain cultures could receive this treatment without it feeling like we're exoticizing some radically different culture. Maybe you could say that about the effect Banshees had, but I think, at least in the US, that particular Aran Islands subculture (or wherever it was set) is close enough to US culture for us to feel comfortable propagating stereotypes, but far enough away for it to be interesting or novel enough to trend in the mainstream mindshare.
Almost like the concept of the "habitable zone" in astronomy, a certain orbital region around a star whereby the planetary body is close enough to have its h2o in liquid form, but not close enough for the temperature to be too hot to sustain what we'd consider life.
there's something quite amazing about everyone in US polite society being so careful in what they say, so careful to avoid racial stereotypes, dancing around the subject, afraid to say what they see and think because matters of ethnicity are so sensitive, and then seeing a van drive past painted green called something like 'Irish Removals' with a massive leprechaun on the side. it's an interesting blind spot.
Yeah thats one of the leading criticisms I have with university social justice culture, this monolithic vision of whiteness. There was a James Baldwin essay where he got into how whiteness, in this sense, only really has meaning vis a vis non-whiteness (especially blackness), specifically in America. Here whiteness doesn't really have any definitive cultural history or identity, beyond simply its caste/position in the American slave economy, and this helps explain why Americans (and those of other nations, to varying degrees) struggle to identity with whiteness in a socially acceptable way. Whereas, a white person in America would usually be met with much less cultural friction if they celebrated their specific ethnic heritage, EG Irishness, rather than whiteness as such.Some Americans seem to have this monolithic conception of 'whiteness' that doesn't account for things like the English treatment of people from Ireland or Poland or even general cultural differences among white people.
That sounds like an effective strategy, even though I do have doubts about how coherently these system-wise stratagems can be ideated and executed by a well-coordinated group of elites. That said, this could also be something that doesn't need much coordination to perpetuate - arguably the best of such plans can be organically perpetuated by natural cultural dynamics. Anyway, culture war profiteering has seemingly long been lucrative, perhaps the primary business model of some major news outlets today, aside from advertising maybe.There was a bloke called Theodore Allen who argued 'whiteness' in America was invented by the ownership class as a weapon against class solidarity across racial lines.