other_life
bioconfused
today is Malchus in Gvurah, self-possession/sovereignty embedded in severity/sternness/strength
it's here folks!!! the wait for this highly anticipated document is over!!
introduction (2022)
1) music as diegesis (2022)
a. zones without people
b. super hostile vs super docile
c. palimpsestscapes
d. vanishing visions and unknown memories
e. transfigured states
2) audio animation (2024)
+ revisionist history
a. sound characters
b. god games
c. audio absorption
d. fog of war
epilogue (2024)
interview (2024) big thanks to Luke for contributing some thoughts to this one
Is there another Ian? Is he lengthy?
This for all conscious experience maybe. Introspective theories of self as discovering vs organizing oneself.Whether something's accessed or generated is a thought I find fascinating. Are these worlds there to be stepped into or do they unfold in real-time? Are we opening a door or projecting a world? Where's the line between discovery and invention?
oh i don't actually know, that was pure capwho? i dont recognise the prose style. its very music writerly. not normal dissensus style.
important stuff here. last image is very similar to the image i associate with the unvoice. a face emerging out of the depths.The presentation really adds to the effect. That fantastical blue city looming out of the mist; the images dotted throughout each entry; the pixelated header. Really emphasises the old histories line in Palimpsestscapes. Xanadu rubs up against the digital; Borges discovers Nintendo.
Idea of the "unvoice" jumped out at me, although I also read it as "univoice" at first and thought you were getting at some sort of master voice, containing all other voices and running beneath music like a rock layer. The voice heard across the portal. A combination of Xenakis' treasure room and Ahab sensing the features of a face behind the world. Certain configurations of sound drilling through and making contact.
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a question that’s sometimes worth asking is, what would’ve happened if the preliminary “notes” (hypothetical or not) for this were assigned to someone else? how would the results be different? in a poem this might be a few lines, a flash of images with no slowing down. whereas an academic might pick one image and study it extensively. but there’s something satisfying about the approach here, where focus keeps shifting to new expansions/extensions of the initial landscape, so you get a series of explicated images. an essay but one that unfolds artistically. imo an elegant distillation of current era sus themes. want to reread this now: https://www.clereviewofbooks.com/writing/a-gulf-polyphony![]()
Cycling in a tiered world - tis.so
by Suspended Reason There is a girl in New York City / Who calls herself the human trampoline / And sometimes when I’m falling, flying / Ortis.so
shes called the human trampoline cos she has sex with everyoneWhat did you make of it anyway? Are there directions you'd encourage me to continue pursuing?
there was an article i enjoyed about game engines and scanning the world to put it onto computer games which reminded me of a thread we had where i was talking about how games had taken up a challenge the other arts abandoned long ago, which is a kind of naive or unquestioning, unreflexive representationalism, of versimilitude to the visible.