Nature is a Language

version

Well-known member
companies have "branches" as if they're all one organism (a tree) with many branches

Can anyone think of further examples of this? The co-opting of terms of nature for things like banks, car companies, etc. Sinister if you run with Burroughs' contention that Henry Luce's naming of his publications Time, Life and Fortune were attempts to take control of the things themselves.

What happens when capital no longer seeks to dominate nature, but identifies itself with it?

Indeed.
 

version

Well-known member
@mvuent's 'phenomenology of electroacoustic music' comes in here too. That stuff inspires all sorts of geological, biological, etc. descriptions and metaphors. I'm listening to more of that South Korean stuff I posted in the glitch thread and it like sounds like a digital rendering of burbling, shifting topographies. Tectonic plates. Seething magma.

1000_F_575678703_qFfbCVuhiQHNgix5vO5bNXZEaPuzHZ2E.jpg


 

Clinamenic

Binary & Tweed
Theres a lot of mycological metaphors in the regenerative/distributed/etc tech movement. I'm going to a conference in August called dWeb Camp in the redwoods, where a bunch of techies set up tents and talk about internet protocols and whatnot.

 

luka

Well-known member
Can anyone think of further examples of this? The co-opting of terms of nature for things like banks, car companies, etc. Sinister if you run with Burroughs' contention that Henry Luce's naming of his publications Time, Life and Fortune were attempts to take control of the things themselves.



Indeed.
wtf lol this is my idea dont give him credit for it!
 

mvuent

Void Dweller
one idea that comes to mind is bernie krause's niche hypothesis about how animals evolve to share sonic space in very intricate, coordinated ways over time. he says that the oldest, healthiest animal habitats are spectrally similar to the most elaborate forms of human music-making like symphonies, in that you have a multitude of different voices that are balanced across the frequency spectrum so as to all be intelligible. each animal voice occupies its own "audio channel"—or in some cases, as one of his illustrations shows, exists in multiple frequency bands in between other sounds. reading his stuff, you wonder if the full-yet-balanced quality of a symphony, or a lot of well-mastered modern music, sounds appealing to us because of how it simulates this type of environment.
 

version

Well-known member
reading his stuff, you wonder if the full-yet-balanced quality of a symphony, or a lot of well-mastered modern music, sounds appealing to us because of how it simulates this type of environment.

Wonder whether something similar applies to colour. There's something pleasurable about even a colourful meal or bowl of fruit; lush greens, vibrant oranges, ripe reds, etc. all on the same plate. There's obviously a strong pull to the use of colour in the visual arts too.
 

Murphy

cat malogen
one idea that comes to mind is bernie krause's niche hypothesis about how animals evolve to share sonic space in very intricate, coordinated ways over time. he says that the oldest, healthiest animal habitats are spectrally similar to the most elaborate forms of human music-making like symphonies, in that you have a multitude of different voices that are balanced across the frequency spectrum so as to all be intelligible. each animal voice occupies its own "audio channel"—or in some cases, as one of his illustrations shows, exists in multiple frequency bands in between other sounds. reading his stuff, you wonder if the full-yet-balanced quality of a symphony, or a lot of well-mastered modern music, sounds appealing to us because of how it simulates this type of environment.

 

version

Well-known member
'Landscape' is one that gets used a lot, e.g. political landscape. People refer to 'mountains' of debt.
 

Corpsey

bandz ahoy
This is the type of thread luka loves, no wonder he's back, this might have been the klaxon that called him
 

mvuent

Void Dweller
Wonder whether something similar applies to colour. There's something pleasurable about even a colourful meal or bowl of fruit; lush greens, vibrant oranges, ripe reds, etc. all on the same plate. There's obviously a strong pull to the use of colour in the visual arts too.
yeah, and a colorful meal can often = healthy (or so i was told as a kid), which maybe ties in with something gus wrote about prospect-refuge theory:
And this is what Dennis Dutton has argued about landscapes: probably not coincidence that the generically beautiful vista has abundant amounts of water and verdure. Show a buncha eight-year-olds pictures of the savannah, and they’ll end up preferring (on vague aesthetic grounds) approximately the sorts of ecologies you’d pick if you were running a functional analysis on survival odds. Many of the elevated perspectives landscape paintings take match roughly to the predictions prospect-refuge theory makes.
nature as a language of survivability...
 

sus

Moderator
Can anyone think of further examples of this? The co-opting of terms of nature for things like banks, car companies, etc. Sinister if you run with Burroughs' contention that Henry Luce's naming of his publications Time, Life and Fortune were attempts to take control of the things themselves.



Indeed.
I don't like this framing because we take all our words from nature. There's nothing special or sinister about the private sector doing thing except some vague "capitalism bad" vibe
 

Slothrop

Tight but Polite
Theres a lot of mycological metaphors in the regenerative/distributed/etc tech movement. I'm going to a conference in August called dWeb Camp in the redwoods, where a bunch of techies set up tents and talk about internet protocols and whatnot.

Something something Merkle trees something something.

The other thing that tech is full of is "ecosystems" - the Docker ecosystem, the scientific Python ecosystem, the Rust ecosystem, the Salesforce ecosystem...
 
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