After Jacqueline Roque, Picasso’s second wife, barred much of the family from the artist’s funeral, the family fell fully to pieces: Pablito, Picasso’s grandson, drank a bottle of bleach and died; Paulo, Picasso’s son, died of deadly alcoholism born of depression. Marie-Thérèse Walter, Picasso’s young lover between his first wife, Olga Khokhlova, and his next mistress, Dora Maar, later hanged herself; even Roque eventually fatally shot herself.“Women are machines for suffering,” Picasso told Françoise Gilot, his mistress after Maar. After they embarked on their affair when he was sixty-one and she was twenty-one, he warned Gilot of his feelings once more: “For me there are only two kinds of women: goddesses and doormats.” Marina saw her grandfather’s treatment of women as an even darker phenomenon, a vital part of his creative process: “He submitted them to his animal sexuality, tamed them, bewitched them, ingested them, and crushed them onto his canvas. After he had spent many nights extracting their essence, once they were bled dry, he would dispose of them.”