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For me it's dbridge and instra:mental fabriclive 50 around 2010. what was i thinking? i mean, i can still appreciate it has its moments, i might even enjoy it on a mellow friday night, but i thought this was really going to change dnb for the better again but it was really synthpop jungle...

Please lengthen your message to at least 1 characters. Go on then, let's do all the politics fighting here.

discuss.

yeah check it will send u lot some more in 12 years time. luke can't listen because he is no longer bonded to the ISPs so is being ripped off by EE or vodaphone. Everyone else listen https://www.dropbox.com/sh/2vdomlhvulkghon/AABj-X_9HMW-djhf3ghtXDOia?dl=0 will take down link in a while...

seen as practically we're going around in circles with noone really willing to discover music that isn't outside of the rigidly prescribed parameters of an age old discourse... I'll start What you lot think? how do the melodies sound, the rhythmics without drums, what emotions are evoked?

it's kinda all 110 chuggy ebm/techno but with all sorts of weird percussive flutters. i think they call it balearic. it's alright, help me i have no idea about white euro dance music outside of glitch and sound art and hard acid really.they are playing it here...

but they draw the totally wrong conclusions from this and don't look at aesthetics. so you get the inanity of 'it's all music maaaan' or genres are patriarchal constructions designed specifically to oppress UC Burkley and UC santa Cruz and Harvard students in 2019. Discuss.

I mean heaven should fill you with joy. hell should be like, kor, i don't want my history to be associated with these cunts. yet it isn't, nonexistence (that is to say, never having existed) has always seemed more desirable to the purposes imputed by religion.

worthless. at least 80s had nu wave, free style, electro, grindcore, post-punk, noise rock. 90s gave the global mainstream (and the global indie mainstream) nothing. just timbaland. that was not enough. worst decade of music ever.

discuss.

before corpsey tries to disown his jump up past in favour of post-dubstep, i don't mean naive teenage music that is a gateway that u grow out of or whatever. I mean music that was always total fucking crap, is always total fucking crap, and will always be total crap. For me it's Return To...

all that dubstep as the ghost of jungle. So fucking deep. you had the prime opportunity to push wobble into insane glitch future computer music territory, especially at that slower tempo where the basslines do the double time 70/140 thing which you couldn't do with jump up dnb. but everyone...

Well?

so this again is kind of converging with the electro thread. there are two types of industrial aren't there? one the industrial as transgression, an image, an artworld (supposedly in opposition to the blindspots of a consumer society or conservatism - although more inverted) and the other the...

tinashe album was 3 years too late. Tirzah was a load of hipster wank. let's 'av ye then to kill the time before the vonc (or after.)

without wanting to take down any sacred cows. ok, so i agree with the conceptual premise. the left is still (mostly) trapped in the petrified bourgeois values of the 1950s. What I don't agree with however is its conceptual premise. Do we really want to reclaim the acrid stink of the beatles...

i just looked at ok cupid for the first time in my life. man, what a revolting aesthetic. how do people tolerate it? is eharmony better?

all of em financial analysts, ngo wankers, or bitcoin entrepreneurs or game designers or whatever the fuck now. deplorable. no wonder hardly any of em kept in touch with me.

wanky anxiety moment im the new craner made 8 posts but then deleted.