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agreed! absolutely fantastic! do you have a track list? it is all vaguely familiar but not actually known to me

ahem, i am in the .01% oh! such a brit, with the need to so tightly categorize and delineate. i reckon 1/4 of my list above is non-american and therefore possibly italo? sorry!

errrrr . . . . Herb Alpert - Rotation Candido - Thousand Finger Man Dr. Buzzard's Original Savannah Band - Cherchez La Femme Ray Martinez and Friends - Lady of the night Ann Margret - Everybody Needs Somebody Sometimes Zulema - Change Powerline - Double Journey Kikrokos - Life is...

And it seems to me that Slothrop was on to something here, only to have it buried by all the successive pages of this thread

it seems to me that the argument shoud run something like this = Accepting that there was (1) a continuum of sounds running from breakbeat hardcore---->jungle---->uk garage----->2-step, from roughly 1991 to 2001, and accepting (2) that this movement was more innovative and changed more rapidly...

it is a limited metaphor, and maybe the HM GOVTs metaphor that i quote above is more apt. however, i think the reason reynolds has used the term "continuum" is because the system--after the founding collision of house, techno, hip hop, reggae--has been remarkably self-contained, though not...

yeah, i think this might actually be the better metaphor . . . .

errr, again, i think you will find on the video that Reynolds states that he much prefers the electronic music produced by the high modernists in the 50s, 60s, 70s over the techno and idm of the 90s, and i suppose the breakcore and wonky of the 00s, that are surrounded by a kind of "progressive"...

can you provide an example? whether or not you like much of what the hardcore continuum (or whatever you want to call it) has produced over the past 20 years-----and i personally prefer the house and techno music that immediately prefigures the first real hardcore-----it seems to me fairly...

oh so weirdly reminiscent of belgium and shut up and dance ----> and yet this is presumably out of deepest south chicago?!???!?

let me third the thoughts stated upthread -- ABSOLUTELY PHENOMENAL!!! -- i am so technologically ill-equipped for the mp3 thing, but my god if i were ever to purchase an mp3, this would be the one! -- MIND-BLOWINGLY GOOD -- especially the very last track, toy soldierz

contemporary with the new "positivity" bands, however, is a new crop of "dark" and rather "trad" psych rock bands------>the Black Angels out of Austin, Texas, and A Place to Bury Strangers out of New York, a movement arguably initiated a few years by the much-maligned Black Rebel Motorcycle...

even though i live in wburg, i tend to go out to manhattan spots, ave c and french bistros, though from time to time i hit places like trophy bar----->so i do not really have my thumb on brooklyn dance-rock scene as such however, there does seem to be a new crop of "positivity" bands, which to...

i ask because i am trying my hand at managing rock bands doesn't matter if you are in the states, the uk or elsewhere in the world and though it is always nice to send promos to established critics who write for print publications, active bloggers would also be good . . . . so if you have an...

the happy song is brilliant!

crazy gang -- every sunday

soft verdict (wim mertins), struggle for pleasure -------------------->

errrr, i suppose i should come to this one just to say hello!

maybe i should acknowledge that i am not a rock'n'roller, and just get over it so who does rock?

so this is the whole dinosaur jr/sonic youth/husker du/minutemen thing? i suppose the minutemen are pretty good . . . .