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F*ck yeah!

I assumed people were joking when listing the above artists. If not, the dissonance between this thread and the values usually professed on this board is quite interesting.

Seems an interesting read, thank you.

I think you could quite easily argue that every technological invention relevant to music, from notation to reproduction media, has in a certain sense had the double outcome of both facilitating the growing omnipresence of music and, by a consequence, feedings its devaluation. To a point we'd...

The surprising thing about dubstep is not so much the exodus, but the fact that it managed to create a sense of belonging/identity to begin with. I am not convinced that this is something exclusive to millenials either. True, I am one and I love nothing more than the moments before a new...

Great album. Japanese music with a chique French album title (containing a pun to boot), what's not to like? I think this twilight zone between drone and ambient is where it's really at for me. Not the too harsh stuff, nor the too idyllic melodies. Both are too demanding/distracting. Also...

Well, I certainly wouldn't mind :)

I increasingly tend to agree. Is offline listening (on the train) possible with Mixcloud?

His real killer track is of course Table's clear, but for some reason YT says no.

More recent work for percussion by Paul Lansky, early electronic composer.

Sort-of Netflix for destressing:

The Translations-mixtape by Visible Cloaks (much better than the album it came with). If you manage to find it, really worth the search.

Less peaceful or poppy than Takada. Full of 'natural' percussion and a fanstastic album title.

I have been using Thomas Köner's Daikan for falling a sleep lately. It's weirdly satisfying. This practically melody- and rhythm-less 'music', that (as far as I can word it) only relies on very precise, slowly shifting frequencies and still manages to formulate an aesthetic that elicits a very...

Their whole discography might actually fit this tread.