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Soca versus the virus:

English folk-rap from 1971 (terrible):

I unironically love this Disco-D produced Funk Carioca-appropriation of his:

Pizza Express aren't returning my calls but I'm playing Oto next month: https://www.cafeoto.co.uk/events/yeah-you-x-toph-takeover/

Happened to my mate's shop on, of all things, a solo album by the bloke from Social Distortion.

Claiming you've been sold a bootleg and swapping an original for a boot is another trick I've seen.

"New Orleans house offshoot genre bounce"...fucking hell.

Don't miss the weird ATL bass cousin to ragga jungle on this:

Sad I'll probably never hear this, especially "Your Face is Like a Smashed Crab": https://www.popsike.com/Chaos-Unknown-Freakbeat-196-Psych-Acetate-EP-LISTEN/190197526183.html

Wish hardcore revivalism would generate its own In The Red (i.e. intensify the rawness far beyond any of the original influences)

Another one for the Mystery Machine:

Here's a proper Scooby Doo band name:

I'm not sure how un-Dissensus this thread is really, it'd be different if it was 70s prog stuff. This stuff is definitely part of a pulp-modernist continuum. I'm not the first to make this comparison (e.g...

From a (functionally one-sided) LP with 1 beatles and 4 stones covers, but crude enough to be worth a listen:

Ghostly surf (ski?) rock from Minnesota:

Sunset Strip sleaze perfection except it's from Oklahoma:

More synth-psych silliness in the Apples/States/Hose vein:

Into cerebral proto-prog territory here but still with that garage energy:

Armand Schaubroeck did some 70s proto-punk shock rock LPs that are well regarded, but his 60s stuff blows them away:

Some 70s post-garage/proto-punk heaviness: