Search results

and to go off on something of a tangent, mike pickering began as a northern soul dj, was deeply immersed in black music and culture for at least a decade before the acid explosion hit . . . . and when he's talking about the black kids not having enough room to dance once the hacienda became...

yo! mike pickering is the man behind both t-coy's "carino" and quando quango's "love tempo" (though admittedly the mark kamins remix is the one to play) -- two of the top all-time tracks in my book -- i don't think the man has anything to apologize for, have heard a lot of very favorable...

ladytron are perhaps too big in england to attract much discussion on dissenus but their "destroy everything you touch" song has been out for about 6 months now i think this is a fabulous song -- have played it virtually non-stop today any opinions? and how does the rest of the "witching...

what do people think about PINK GREASE and the LONG BLONDES? -- two rather trad bands from sheffield that i kinda like at the moment

this is not really an event posting, b/c it happened last nite and i would have tipped people off to this, except that i had internet problems past few days anyway, most of my friends into dnb didn't go to this show, b/c they took fact that shy fx was playing a very small venue (leopard...

lots of classic material on the compilation hint links above if that's big beat, count me in

big beat also had a lot to do with the rave sound of florida and the american west -- which is probably where the "frat boy" slur comes from

a return to 91/92 breakbeat for those who didn't like jungle or 2-step anticipates breakcore -- another "rockabilly" movement in some respects the other aspect is psychedelic "mash up" culture, such that chemical bros' beatles-over-a-breakbeat sound is seen to be mash-up

i mean only that surely the u.s. armed forces could take tehran and other major iranian cities by force, w/o having to resort to nukes -- simply use the same "blitzkrieg" tactics that worked against iraq -- such that the current iranian regime would be brought to a quick end chaos would then be...

aren't destroying and conquering two different propositions? that's probably the only clear-cut lesson i've derived from the iraq war so my question is, why do the experts think that u.s. military cannot *destroy* iranian army, iranian command-and-control, iranian state? granted, u.s...

why not summarize the gist of these arguments for us that is, i find it hard to believe that u.s. could not mount an effective military assault on the iranian *state* and its facilities -- destroy the machinary of the state

so i waltzed on up to the doorman and said, "i'm on the list" had weaseled my way onto the giant step list the doorman then replied, "sony list is this line, all other lists are over there in that line" it then became apparent that everyone standing outside was on some kind of list or else...

not only is there a lot of oil in iran, the country also has a very large share of the world's natural gas resources natural gas will be the "bridge" fuel b/w the oil economy and some kind of post-natural resource economy an independent iran therefore poses a threat to the so-called american...

and jazzanova play cielo this sunday, january 15th -- i mention this only b/c we're kinda on the subject

and raw fusion is also in this mode, methinks, at least to a degree ANYWAY -- can't say that i've picked up the sa-ra stuff yet -- HOWEVER, they're playing the canal room THIS WEDNESDAY, january 11th -- take the stage at 10 pm -- i figure i'll check it out, so that i can have an opinion about...

here's the latest from codek -- featuring sylvia gordon of kudu -- "reputation or notoriety" -- don't like the video clip for this one! however, the video clip for the record's A side is cool -- singer on this track is tatiana llinas

in a similar vein = tate's place, "burnin" -- which i play pitched up to 45 rpm

just played this at -8 = kinda groovy even so, i don't know if i can bring myself to play this for others

i'm not a trevor horn fan, either -- he gets a mixing credit for the "machinery/frozen faces" single -- but the producer is one s.j. lipson, horn's right-hand man on many of his most famous productions as for "your wild life," the producers are ian stanley and chris hughes -- a tandem best...

been rocking these two records non-stop in my apartment as of late -- straight outta sheffield -- but it ain't got nothin' to do with bleep music = (1) "hustle! to the music" -- the hardest working worm in show business -- ultra ultra funky -- anyone remember this thread? -- if there's a rule...