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lol. me and bok bok went to the first and only (afaik) big bassline all nighter in london itself (more empiricism! the horror! hehe), as opposed to the midlands and sheff raves... it was this time last year at the egg.. the first hour was great. the second hour got a bit samey. by midway through...

princess nyah on kiss now.. logan into funky.. kiss fm continuum (ahem) http://kube.totalkiss.com/?jumpto=kiss100

yeah apparently joker and pinch worked together despite potential clash of styles :) what do dmz and loefah play these days?

let's have some dmz reviews then :) so far i've heard it was over packed, people were moving through the floor like it was a corridor, the queue was insane, and there were too many blokey blokes doing fists-forward coke-dancing.... but also heard that kode9 b2b oneman was absolutely...

:( This is why a lot of people don't like music journalists. I'm going to risk being a bit twatty and quote my own article here:

last time i tracked down jerzey's myspace it didn't have any tunes on it and it said he was moving onto funky? did i dream this? i hope he keeps making grime, his productions for trimothy so far have been amazing.

this para raised in my head the relative masculinity levels (literally and sonically) in plastic people (a) as described above with the stush girls at beyond :cool: and (b) in the last half hour of distance's set at fwd the sunday before. light years apart in every possible way. have people...

just not enough of them imho. if you want to write speculative quasi-fiction ("speculative soniconcepts", as kode9 described them) that's cool, and as usual with simon there are some nice phrases and interesting thought processes there, but... if yr gonna do that there need to be bigger, clearer...

yeah that was an inspired move haha... really good points about flylo and the various different camps.. there's no harm in exploring some sonic connections between these very disparate artists, but you reeeeeally have to be a lot more tentative than reynolds has been. and, yknow, maybe do some...

yeah fair point, i was getting carried away there, and went too hardline with that statement... which i'll attribute to the angst i've heard from people involved in making this music: "who is this guy and has he ever heard this music in a club?!?", which i've sort of internalised. you're right...

missed most of ma1, but marcus nasty was brilliant, banger after banger (though last 15mins he seemed to lose interest a bit), then geeneus played loads of amazing big room house, yellowtail vip, some new tunes i don't know the name of... his set was even better than marcus's.. i just.. dancing...

ha. and this, my friend, is why that article was so ridiculously off the mark. club music should be heard in clubs, dance music should be danced to. otherwise stick to writing about vampire sodding weekend.

w*nky isn't a genre, there is no such thing as a w*nky night, the music in question barely even exists in clubs (zomby always cancels his bookings, joker plays dubstep at dubstep nights), simon suggests he hasn't taken ketamine, and he hasn't asked the people who he claims make w*nky whether...

see you in beyond tonight mr clark?? and anyone else, obvs! i can't reach til 11ish but am excited about a full-on funky night in plastic people for the first time! interesting to see how the low ceiling/darkness/curtain-drawn/speaker hugging vibe works for a whole night of funky. also crazy...

i don't know where that quote is from, but not only have i not read deleuze, i'm not sure of the significance of having read deleuze in this context. *goes back to planning his weekend*

oh come on simon :) i didn't jump at anything, but said 'yes', when asked to participate by nine, like i said above it looks like fun. i posted the details on my personal blog (which no-one reads but close friends rly), copying and pasting it from alex williams' blog - i only knew the full...

yeah i know mate, sorry i didn't think you were, i just wanted it stating for the record that i'm pretty wary of this debate (a) getting massively overstated in terms of its importance, and (b) distracting people from the business of actually enjoying dance music. so basically i totally agree...

i said (wrote) my piece once, because i felt it needed to be said, and then got back to the rather more important business of Actually Going Raving (heaven forfend)... http://dan-hancox.blogspot.com/2009/02/buffoon-empiricism.html

would like to echo all of the above!!

innit. free isn't nearly cheap enough - they'd have to pay me to listen to that shit.