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totally agreed. On top of it the BC copycats are doing it to clean and sentimental. Porter Ricks is okay, though. Here's a newer producer I like:

Here's your heart, here's your soul:

I am somewhat with you. Pure machine music will never cut it. But just as desperately doing harder and harder "algorhythms" to somehow signal either insight or submission into the techno-capitalist machinery banging on your analogue drums harder and harder and voicing your deepest emotions won't...

Why would we want to return to soul music? We already got a soul, no need to contaminate music with it more than necessary.

Skream is being called out for being 'classist' for wearing a Pizza Hut cap. That's it for Cancel Culture Today

Trying to make techno into a subset of teenage nostalgia artifacts is also a bit underwhelming.

Quite interesting that's he shorting the vaccine producers

All cool tracks, but the industrial aesthetic is fundamentally a dead end to me just as much as the ironic take that Senni represents. Or even 'the everything is algorithms!!' crew aka Mark Fell et al. For me, non-human centerered electronic music need to point to something else than industry or...

Quit the futurist aspirations and search/make electronic music that sounds old. And I mean old, like 200 years old.

Oh that middle one can't be real

Not a valid critique, though

+1

Not using plugins saves me from worry with new installs/crashes. Having a laptop with no internet connection helps as well.

Percussion is just standard 808/909 samples in ableton. Everything else is from standard additive synthesis using Operator set to default.

Ableton. No softsynths, no plugin, not even a soundcard (maybe that's why it sounds kinda scrappy and "clips"). After experiencing too many crashes I chose the bare minimum approach, so it's more a necessity than a deliberate choice.

got some loops and things here - mostly 4/4 lo-fi dubby techno stuff :

I never work with presets in fact, but I know it's a self-indulgent time-wasting effort. Still, there's a bunch of "preset" music out there. My edgy take on a lot of UK dance music is sound-wise it is very "preset'y", while rhythmically less so. The Euro/continental stuff is the opposite.

The amount of promising techno careers destroyed by MAX/MSP and Modular Systems... All the best stuff is done with presets anyway.

He should be called out from the white identitarian types really. Traitor.

It's guy tavares. Not your average record boss.