it's already been done tbh. read the alien underground reviews on datacide.
or that whole inventing te future crap from leftists with a hard on for nick land. that is the tech house manifesto.
This sounds like the sort of thing you'll eventually track down ten years later and discover wasn't quite as killer as you thought. Or maybe that's just what happens to me.years ago at an afterparty there was a dude who had this crazy record collection full of rare obscure acid, breaks and trance that somehow wasn't bad. there were a couple of 12s he had that blew me away but i was too busy caught up in the moment to note down what they were. the only thing i remember was it sounded like some kind of late 80s/early 90s blend of breaks n electro. the sleeves were full of arabic text which was done graffiti style. they looked wicked and sounded incredible. think the sleeves were black & white but could be wrong on that one. does this ring any bells for anyone?
This sounds like the sort of thing you'll eventually track down ten years later and discover wasn't quite as killer as you thought. Or maybe that's just what happens to me.
One of bartys quirks is that despite his interest in drums he's got no interest in women outside of Africa and the diaspora.
One of bartys quirks is that despite his interest in drums he's got no interest in rhythms outside of Africa and the diaspora. So no islamic world and no india. He hates it. Says its not proper music.
that'd be more of a drum kit bias than anything. i've never particularly gone and listened intently to other types of drums, only the kit.
i don't know much about islamic drum stuff but i listen to indian bits and pieces every now and then. tabla's are gorgeous texturally, but the rhythms being played never jumped out at me as being particularly novel. more rockist than dancehall, drill or jungle.