This mix is great, esp. loving the Dave Quam tracks on there (17:52 ; 35:04), been a fan of his productions ever since he made a soundcloud (most of them have been taken off now)Kingdom is good on that Night Slugs kinda vibe if you want a mix thats newer on that tip. His stuff and the bits on Fade To Mind bang in a really odd way.
http://www.thefader.com/2012/01/06/download-fade-to-minds-fader-mix/
he's got a four track (i think) record coming on enchufada, it keeps getting delayed it seems, not sure why. then a 2x12" double-pack on local action later this year.i want to hear more from t williams btw.
re: that quietus piece and 'finding new ways to talk about uk dance music', i like object' cactus a lot but it could more or less have come out in 2006 or 2007 couldnt it?
he's got a four track (i think) record coming on enchufada, it keeps getting delayed it seems, not sure why. then a 2x12" double-pack on local action later this year.
he's had a few remixes out recently, they're here: http://soundcloud.com/twilliamsmusic
who was making music like that at house tempo with big jacking distorted 909 hihats in 2007
his remixes of sbtrkts wildfire that are vinyl only, are killer.
often it seems like its just incremental differences
genuine (i.e. not rhetorical) question from a young tyke - how often do radical stylistic breaks/leaps forward actually happen in any scene though? I mean is looking for them everywhere unrealistic and just setting yourself up for disappointment?
my understanding of the creative process is that musical styles are never plucked out of the air fully formed and so every innovation is really incremental - it's always a difference of degree, not kind, when it comes to levels of originality.
I appreciate that a lot of this thread is to do with radical breaks and the lack thereof.