william_kent
Well-known member
true life: i put off reading energy flash until i was 26 and now am deathly afraid simon reynolds will dismiss my sub-teklife ableton breakbeat as "CLOTTED"
no sweat, go for it girl
true life: i put off reading energy flash until i was 26 and now am deathly afraid simon reynolds will dismiss my sub-teklife ableton breakbeat as "CLOTTED"
just posting this for a laugh...
I was reminded of it because of all of the Dune talk - it's a crappy quasi-techno track I made back in early 91 (maybe even late 90?) with just the one piece of gear I had Ensoniq EPS-16+ (sampler/sequencer keyboard)
so fiddly getting samples back them off VHS going into a stereo system and then rca outs to the sampler
I hadn't yet heard the Eon track, just FYI
I know it's nothing to write home about, but........................................... DUNE! (although I think one sample is from somewhere else)
I really like this! Got a sort of Chicago industrial-club thing going on - I can easily imagine this being released on Wax Trax! - in fact I reckon you could easily fool people into thinking this was some Ministry-related side-project-of-a-side-project...
Lynch's Dune is a great source of samples (although obviously I had the benefit of YouTube and flv-to-MP3 websites - I appreciate your dedication in using a VHS player and a hardware sampler!).
Here's one of the first tracks I made when I began messing about with Ableton Live and my Fender Jazz some years ago now:
I'm glad someone else here knows about Acid Horse! It's such a great tune, that. Shame they only ever did that one single.Ah, yeah - I can see that. Maybe something like the Acid Horse project he did with Richard Kirk.
I mean, I probably wasn't consciously thinking Wax Trax specifically when I made it, but some of the general instrumental electronic stuff that I knew at the time whether or it was like the odd Wax Trax project or New Beat/Acid like Lords of Acid's I Sit on Acid (although I obviously wasn't making acid) or whatever was in the air around me at the time.
I would have loved to have been on Wax Trax though because, at the time, I was heavily into ebm like 242 and Ebb - I also made some ebm tracks with that same sampler which was the main reason I got it.
Pretty cool.
I think this has a sort of quasi-industrial feel even though it's slower.
I dig this one - I think you've invented, I dunno, acid fairground dub?
Well, they were and they weren't, right? Some stuff by, say, Nitzer Ebb is sort of militantly un-funky.EBM guys were real into 'making machines lurch and swing', innit
I'm glad someone else here knows about Acid Horse!
The main part of the beat in that tune of mine is sampled from an old Front 242 tune, as it happens. I think it has a weirdly dubstep-like lurch to it, despite coming out 15 years before anyone had heard of dubstep.
EBM guys were real into 'making machines lurch and swing', innit
Some stuff by, say, Nitzer Ebb is sort of militantly un-funky.
video blocked in my country...
I'm gonna guess Let Your Body Learn or Murderous.
I have to say, after coming from electro first, that I generally liked the stuff better that had more syncopation even if the more straightforward stuff was an influence on some of the early techno people.