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Wes Craven
Nightmare on Twee Street! Don't fall asleep cos someone in a charity shop suit will invade your dreams and start playing an acoustic cover version of Let me Be Your Fantasy...
Wes Craven
lol im sure/hoping he meant wes anderson. unless i missed some subliminal twee manifesto in scream. or maybe the mumford groups have made stripey jumpers cool again. then again, i would like to see twee horror as a genre.
lol im sure/hoping he meant wes anderson. unless i missed some subliminal twee manifesto in scream. or maybe the mumford groups have made stripey jumpers cool again. then again, i would like to see twee horror as a genre.
Could you elaborate on this, give examples etc? I'm not convinced that it bears close inspection, particularly if you're saying it's somehow a new thing...ahem. i should have said i think post modernism is the most elusive of concepts, but i do think you have a point in that, especially nowadays (postmodernism, hyperconsumerism or whatever), it's possible to pick select a culture off the shelf and 'just consume'.
Nightmare on Twee Street! Don't fall asleep cos someone in a charity shop suit will invade your dreams and start playing an acoustic cover version of Let me Be Your Fantasy...
i think twee horror would be a necessary contradiction but yea i'd like to see someone have a go
Could you elaborate on this, give examples etc? I'm not convinced that it bears close inspection, particularly if you're saying it's somehow a new thing...
That seems like a rather contrived example, to be honest. People may be able to pick their football team remotely, but you don't get punk kids waking up one morning and thinking "hey, you know what, I'm going to be a football fan - let's get on the internet and find out what I need to buy to do it..." Maybe the way that you find out what the parameters of your subcultural style and taste should be has changed (a bit), but I think people still basically follow their noses. The only counterexample is postmodern hipsterish appropriation, but that's never been about getting an off the shelf replica of the right stuff for whatever style it is you're appropriating, but more about developing a sort of hipsterish version of it.my main point (probably not very clear in that sentence) is that people are less conditioned in their cultural choices by their environment - that they select an identity rather than inherent it. off the top of my head football supporters might be a good example of this. it used to be absurd to think that someone from croydon would support ie chelsea/arsenal and not palace. you supported the team where you were from because you actually went to see the games etc. this all went out the window presumably with television/mass media which allowed people to follow a team without actually going to the matches. greater exposure to diversity enables a greater degree of choice which leads to less (environmentally) determined cultural choices. it is, in other words, easier to just pick a culture/subculture/football team/whatever 'off the shelf'.
The only counterexample is postmodern hipsterish appropriation, but that's never been about getting an off the shelf replica of the right stuff for whatever style it is you're appropriating, but more about developing a sort of hipsterish version of it.
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That seems like a rather contrived example, to be honest. People may be able to pick their football team remotely, but you don't get punk kids waking up one morning and thinking "hey, you know what, I'm going to be a football fan - let's get on the internet and find out what I need to buy to do it..." Maybe the way that you find out what the parameters of your subcultural style and taste should be has changed (a bit), but I think people still basically follow their noses. The only counterexample is postmodern hipsterish appropriation, but that's never been about getting an off the shelf replica of the right stuff for whatever style it is you're appropriating, but more about developing a sort of hipsterish version of it.
The de-obscurification of subculture via the internet is an interesting thing, but I'm not sure thta's what you're on about.
And why does this suddenly lead to "just consuming", where having your subculture determined by the people you grew up with doesn't?
And what does it have to do with tweeness? Presumably it affects edgy modern subcultures just as much, and doesn't make a particular case for the postmodernness of twee....
It's not really about specific differences so much as the fact that appropriating a style involves a whole bunch of stylistic decisions and knowledge beyond just picking up a perfect replica of the subculture you're 'doing' at the time.What would you say are the differences between the hipster version and the other version?
Oh, okay. I think we're mostly in agreement apart from the fact that we're veering off rather into a free will versus predetermination argument.i don't really understand what you're saying. do you mean that people don't make a concious choice at all to be part of a certain subculture? you've seriously never met someone who was into this one week and that the next? and to be clear i'm not saying this is particularly new (well as new as postmodernism/globalisation/mass mediafictation) - it certainly has nothing to do with the internet. and, yes, little to do with twee also which is just a single example of a subculture.
regarding 'just consume' - i don't agree with this term either, which is why i left it in inverted commas - the questions of autonomy which i'm raising were supposed to highlight the problems with the notion of in/authentic consumerism.
Things I like that twee people don't:
- Drunkenness
- Premiership football
- Grime/hiphop/electronic music
- Unironic trainers and sportswear
- Enjoying computer games unironically
- The Wire
Things I like that twee people like:
- Organic food
- Tea
- Little Miss Sunshine (and I don't care who knows it)
- Charity shops