warfare was okay. more of an exercise though. should have been a VR installation thing.
agree that there are lots of quite good but not that good films around, but which do you see that are exploratory in terms of new possibilties?
good question. and i'm talking from my own perspective only, it's not like i'm systematically auditing these things.
one thing i see is an adaptation to the lack of money left in movies. something like
warfare isn't exactly made on a shoestring and isn't in the indie film zero budget world, but you can see that even someone like alex garland can't raise unlimited money for something like this. i think you can see that the people who make these kinds of second-tier film have got used to these constraints. i think you can see that everyone is used to digital now as well, the unlimited nature of it changes what people are making, as well as the obvious thing about how it looks, how similar to TV it all looks, and so on.
other obvious stuff in the mainstream: the pace, the durational tiktok thing. poor things, barbie, everything everywhere all at once, the nolan stuttering thing. the movies adapting to the way audiences relate to screens in general. in addition to that outside the mainstream: phone footage as part of the movie. AI movies, eg the last two harmony korine ones, which aren't good but which are pushing out there into new territory.
the auto-everything trend. so many movies which are autofiction. my first film, gasoline rainbow, good one. warfare as well is maybe not autofiction but is still obviously very auto in that it's a faithful recreation of a war that one of the directors lived through. there's this very direct interest in people digging through their memories and putting them on screen. in general i see a lot of movies now which are very personal.
a lot of formal twists as well. people have been breaking the standard parameters of film for nearly a hundred years obviously. but in the stuff i see i feel like there aren't even parameters anymore, it's been shattered. i think there's a freedom in the money being gone, there's less to play for, and the cheapness of digital seems to make life easier as well.
something like
bird is a good example, that's one of the best things i've seen recently. it's a weird film which i think is essentially about angels, or at least that's what i jump to prompted by the burial soundtrack. it's hard to pin down stylistically, although the easy thing to jump to is 'magical realism' i don't think that catches it at all.
anora was another one, in that it's a mainstream film but also has these jarring changes of tone and this sense of not really knowing what kind of film you're in.
all feels like the earthquake has passed and people aren't clinging on to the old world anymore