feel like the area between 90-105 bpm is unexplored. this comes close, but it's more balearic chug than acid proper. great choon though, reminds me of old oscar g and ralph falcon dubs.
Acid Techno
- Thread starter IdleRich
- Start date
feel like the area between 90-105 bpm is unexplored. this comes close, but it's more balearic chug than acid proper. great choon though, reminds me of old oscar g and ralph falcon dubs.
Murphy
cat malogen
Tempo makes a huge difference. The slower speeds leave less room for filler and more room for your ears to explore creative processes
Tempo has always been the fail bridge I could never cross within this genre’s loose strata of sounds, a distraction, eg the kick slowed down appears full of heft and relentless swing in your last few posts @thirdform but you can’t stumble on such compression by chance as a producer - a listener might be able to join the dots more fully and provide a ‘snooker break’ approach to long-form mix progressions
Tempo has always been the fail bridge I could never cross within this genre’s loose strata of sounds, a distraction, eg the kick slowed down appears full of heft and relentless swing in your last few posts @thirdform but you can’t stumble on such compression by chance as a producer - a listener might be able to join the dots more fully and provide a ‘snooker break’ approach to long-form mix progressions
hmmm, I always tend to internally listen at half speed by default, which is why tempo has never bothered me even in 4 to the floor musics. What bothered me about post-2000 breakcore (paging @dilbert1 ) is the lack of negative space. It's why I've never really liked punk rock musics either, even when they are influenced by reggae, the attempt always comes across as if one is neurotically making love to an indistinct specimen of frigidity. Hence, paradoxically, the less punk sounds like rock, the better it is.
dilbert1
Well-known member
Very wicked!!
