Corpsey

bandz ahoy
This mix is a bit like listening to one of those classical "14 variations on a theme by" pieces.

Seems a bit of a one trick pony but he does the trick so well (and the trick's so good)
 

Corpsey

bandz ahoy
Listened to this live on NTS yesterday, reckon it'll be the cup of tea of some dissensians


ZOVIET-FRANCE: Smocking Erde
DRIFT MACHINE: Trance 1
POPOL VUH: Aguirre I
JORGE REYES: Vines Of The Serpent
ROBERT HENKE: Layer 006
SILVER APPLES: Dancing Gods
SIX ORGANS OF ADMITTANCE: Nightly Trembling
CLIVE'S ORIGINAL BAND: Serpent's Kiss
LAL, MIKE WATERSON: To Make You Stay
ROBBIE BASHO: Variations On Ezumi
ZOVIET*FRANCE: Is It?
COIL: The Dreamer Is Still Asleep
TERRY RILEY: Chorale Of The Blessed Day
 

Murphy

cat malogen
Listened to this live on NTS yesterday, reckon it'll be the cup of tea of some dissensians


SOVIET-FRANCE: Smocking Erde
DRIFT MACHINE: Trance 1
POPOL VUH: Aguirre I
JORGE REYES: Vines Of The Serpent
ROBERT HENKE: Layer 006
SILVER APPLES: Dancing Gods
SIX ORGANS OF ADMITTANCE: Nightly Trembling
CLIVE'S ORIGINAL BAND: Serpent's Kiss
LAL, MIKE WATERSON: To Make You Stay
ROBBIE BASHO: Variations On Ezumi
SOVIET*FRANCE: Is It?
COIL: The Dreamer Is Still Asleep
TERRY RILEY: Chorale Of The Blessed Day

ta

adjusted slightly in case @woops is reading

love Shouting at the Ground, specifically for Shamany Enfluence, a tune which popped up on a cd compilation while watching flyer’s paragliding wings rise near the crest of Snowdon

 

william_kent

Well-known member
ta

adjusted slightly in case @woops is reading

love Shouting at the Ground, specifically for Shamany Enfluence, a tune which popped up on a cd compilation while watching flyer’s paragliding wings rise near the crest of Snowdon



from the inner sleeve:

Shouting at the ground won't enable it to hear any better


edit: I've known too many people who wasted their lives shouting at the sky

edit: one of their last 'best' albums, after Robin / "Rapoon" left they became a hollow shell ala qliphoth

edit: the one time I saw "them" live it was just "Ben" sat on a carpet, messing about like some boring hash dealer pissing about on their new toys while you're waiting for them to actually hand over the goods, keeping you waiting in some weird power trip power play, not the most memorable gig
 

Murphy

cat malogen
junior colleagues discovered dinosaur kinks/fetishes today Bill, nightmare of time management

another day another qliphothic surprise in email chains

IMG_5877.jpeg
Dianne is a shepherd, watching over flock of sheep. She is sworn to protect them against any predators– no matter the size. But when a flock of pterodactyls attack, Dianne has no choice but to use herself as bait to draw their attention away from her precious flock. One pterodactyl swoops in and picks her up, taking her to his nest. She fully expects to be eaten by the massive beast, but when it starts to peck her clothes away, leaving her naked, she begins to understand that the pterodactyl might have carnal pleasures in mind. Dianne finds herself excited by the prospect and acquiesces. But can Dianne accommodate such a massive creature?
 

0bleak

Well-known member
just uploaded now uploaded this mix from a rare tape collector beyond compare
his own stuff ain't bad either - https://www.discogs.com/master/1386383-S-English-Conscious-Walk - one of my favorite 2015 releases




"This program connects the dots between various lone wolves and outsider units operating on the outskirts of the nascent international mail art / audio cassette trading network of the 1980s and early 1990s. The selection zeros in on tracks that feature a tense, hypnotic dread using early drum machines, sampling technology, and blackbox electronics pushed to their limits in home recording studios all over the world. All tracks are sourced directly from painstakingly collected handmade original cassettes."


“Abandon hope all ye who enter here!

S. English lands on The Trilogy Tapes with something truly special. A mix so utterly deranged, blistered and devoid of comfort that we’re still trying to make sense of it all. After stalking the seemingly endless sprawl of outsider artists and splinter cell musicians operating on the fringe of the mail art / audio cassette trading network of the early 80s, English threads together an anxious 90 min trip of raw electronic dread and bombed out drum machine splutter. It’s a jaw-clenching experience that really emphasises how raw, undeniably punk and genuinely avant-garde the home-brewed proto-industrial scene really was. A time where scenes weren’t just a click away or a ‘DM to join’. Participation meant commitment, physical interaction and information exchange. Primitive electronics getting pushed to breaking point and rudimentary sampling, happening in bedroom studios around the world.

For what it’s worth, we don’t recognise a single track here and the track-list kindly provided is of no use. This is sub-sub-subterranean outsider music that requires supreme effort to collect and make sense of. Anyone who’s ever paid attention to any of the Light Sounds Darks stuff, Vox Populi, Vanity Records, Alain Neffe’s Insane Music series or just loves the weirdest most unhinged electronic music must check.”


"Untouchable selections from the ‘80s/early ‘90s DIY tape dungeons, racked up by industrial miscreant Shane English for fringe luminary/lunatic Will Bankhead’s TTT. 90 mins long, inlay includes a tracklisting.

Narco-Analysis is an expert guided tour of work form the tape mail-order network that begat and set the template for much of today’s noise and weirdo dance underground, which now takes place on the internet rather than via specialist magazine back pages. The 90 minute mix particularly leans toward those murky bits that land in the cracks of industrial music, connected by gristle, greyscale pallor and atonal ambiguity that TTT surmise as, “a tense, hypnotic dread using early drum machines, sampling technology, and blackbox electronics pushed to their limits in home recording studios all over the world.”

It’s the sort of stuff that will be recognised by the most ardent tape hoarders and which has surfaced in recent years via the likes of V-O-D’s archival excavations and found on the secretive Light Sounds Dark series, as well as many other, even lower key labels. Expect nowt but the grottiest gruel, lumpy with toiling rhythms and stewed vocals."


tracklist:


Side 0

Schuster - Socio [1986, UK]
Kees De Groot– Ankarax Video/Soundtrack 1 [1982, Netherlands]
Black Iron Prison - Luny Tune [1985, US]
Luis Mesa - Viaje Imaginario (Parte III) [1987, Spain]
32 Guájar's Fáragüit - Siameses & Wolframo (W) [1983, Spain]
M. Finnkrieg - Steady On Carmen [1989, Germany]
ai/ia/af - ia06 (Forbidden) [1983, Canada]
Baba-Lu - The Beach (Excerpt) [1987, Switzerland]
Atrophisme Interne Z - Init / Schlaguedanc! [1986, France]


Side 1

Ensemble Vide - Le Foie La Rate Et La Gesier: Magazine Sonore No. 1 (Excerpt) [1988, France]
La Nomenklatur - Zokt-A [1987, France]
Iron Sect - Plegic [1987, Canada]
W.U.R. - Akzent Auf Eisen [1986, Switzerland]
Le Syndicat - Rectitude (Version) [1985, France]
Les Trois Phallus - A White Depress On My Mind [198?, France]
Tuerca Mecanica - Yerto Y Danoso [198?, Spain]
Natural Disasters - Untitled [1986, Hungary]
Rongwrong - Epiphany (Excerpt) [1993, Poland]
Tecnica Material - Túnel [1989, Spain]
Madison County Sound Labs - Mammoth Industrial Hypocrisy [1988, US]
Croniamantal - Untitled [1991, Portugal]
 

william_kent

Well-known member
I'm quite enjoying this HERE

our very own @Benny Bunter playing Billy Childish selections

I'd always ignored this dude because anyone that fucked Tracy Emin has to be a bit of a prime prick with no sense right? but amazingly he can grind out psych and I'm drunk enough to cut the guy some slack - the back catalogue is huge so I'm indebted to our very own @Benny Bunter for navigating through the slew of THEE THIS AND THAT
 

Benny Bunter

Well-known member
Having a listen back to it myself now for the first time in many years. Can't justify all of it now but I still love homemade garage rock/blues/psych when it's done right, and he was easily the best of his time. He just had the right feel for it that set him apart, totally nailed the sound.

Was gonna say I feel a bit embarrassed about being into this stuff but fuck it, love you billy :love:

This was my avatar on dissensus for years

BillyChildish-website2013-header.jpg
 
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