all that dubstep as the ghost of jungle. So fucking deep.
you had the prime opportunity to push wobble into insane glitch future computer music territory, especially at that slower tempo where the basslines do the double time 70/140 thing which you couldn't do with jump up dnb. but everyone recoiled because the rule of the hardcore continuum, and why it was primed to die even in 1995, was to worship the elders. the biggest curse of dance music. the only reason why this never happened in the US is because our press purchased house/techno off them and then sold it back to them in the 2010s. what a time to be alive.
You wait, in 2025, the djs will all be working for dj mag and mixmag. that's how incestuous and hierarchical the scene has become, and now mans are chatting about diversity. er ok why not in 08?
So what advice do we have for the future generations that's actually deep because london cares more about jump up drum and bass and tech house than it does Kode 9 or grime in 2019.
you had the prime opportunity to push wobble into insane glitch future computer music territory, especially at that slower tempo where the basslines do the double time 70/140 thing which you couldn't do with jump up dnb. but everyone recoiled because the rule of the hardcore continuum, and why it was primed to die even in 1995, was to worship the elders. the biggest curse of dance music. the only reason why this never happened in the US is because our press purchased house/techno off them and then sold it back to them in the 2010s. what a time to be alive.
You wait, in 2025, the djs will all be working for dj mag and mixmag. that's how incestuous and hierarchical the scene has become, and now mans are chatting about diversity. er ok why not in 08?
So what advice do we have for the future generations that's actually deep because london cares more about jump up drum and bass and tech house than it does Kode 9 or grime in 2019.
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