OK cool.
Well related in part to music, I listened to the whole Blade Runner soundtrack at work a few days ago and there's a track in it that's pure old-time jazz, I mean I think it's actually just a really old recording from nearly a hundred years ago now, no added synths or anything, and it doesn't sound at all out of place because it invokes the same sense of 'noire', the same sort of poisoned sentimentality. And it all fits with the film's 2020s-does-1920s aesthetic, and reminds us that technological alienation and fear of and for the future is nothing new. People thought the same things back in the 20s about radio, telephones and telegram that they thought about TV in the 50s, MTV and video games in the 80s and the internet and smartphones today. (Coincidentally, it's funny to see how the present has overtaken the future, as no-one in the film has a mobile (let alone smart) phone, so Deckard has to spend a dollar fifty making a call, albeit with video, to talk to Rachel on a public phone! - and computers barely feature at all.)
Then the sequel a couple of years ago went towards a Kubricky 1960s sort of vision of the future, which made sense seeing it's set in the same universe as the original but 30 years on. Shame it sucked as a story.